"Symphony No.9 In D / 3. Satz: L'istesso tempo (II)" by Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1984. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan's "Mahler: Symphony No.9" album is number 4 out of 30. Symphony No.9 In D / 3. Satz: L'istesso tempo (II) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No.9 In D / 3. Satz: L'istesso tempo (II) by Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rapsodie espagnole, M.54: 1. Prélude à la nuit | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Minor | 0 | 7A | 107 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): (Violas, cellos & basses) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | A♭ Major | 0 | 4B | 137 BPM | ||
Brahms: Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo | Johannes Brahms, Berliner Philharmoniker, Sir Simon Rattle | B Major | 1 | 1B | 85 BPM | ||
Serenade for String Orchestra in C Major, Op. 48, TH 48: I. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 130 BPM | ||
Daphnis et Chloé, M. 57 / Première partie: Danse grotesque de Dorcon - Vif - Plus modéré - Trés modéré - Pesant | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | F Major | 1 | 7B | 189 BPM | ||
Bruckner: Symphony No. 7 in E Major: I. Allegro moderato | Anton Bruckner, Daniel Barenboim, Berliner Philharmoniker | B Major | 1 | 1B | 78 BPM | ||
Symphonic Dances, Op. 45: II. Andante con moto (tempo di Valse) | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | C Minor | 0 | 5A | 67 BPM | ||
Karelia Suite, Op.11 (2005 - Remaster): I. Intermezzo | Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 83 BPM | ||
Symphony No. 35 in D Major, K. 385 "Haffner": 4. Finale (Presto) | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan | D Major | 3 | 10B | 78 BPM | ||
Symphony No. 1 in C Minor, Op. 3, B. 9 - "The Bells of Zlonice": III. Allegretto | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelik | C Minor | 2 | 5A | 87 BPM |
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