Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's 'Miserere, S. 27: Benigne fac Domine' came out on February 4, 2022. The duration of Miserere, S. 27: Benigne fac Domine is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Miserere, S. 27: Benigne fac Domine's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's "Michel-Richard de Lalande: Grands Motets, Dies irae, Miserere, Veni creator" album is number 31 out of 38. On top of that, France appears to be the country where this track was created. In terms of popularity, Miserere, S. 27: Benigne fac Domine is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Miserere, S. 27: Benigne fac Domine by Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture No. 2 in F Major (c 1715): VI. Menuett | Francesco Maria Veracini, Neue Düsseldorfer Hofmusik, Mary Utiger | E Major | 1 | 12B | 82 BPM | ||
Fermarono i cieli / Qual suono | Alfonso M. De’ Liguori, Vincenzo Tozzi, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | E Minor | 1 | 9A | 115 BPM | ||
Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM | ||
Vater unser im Himmelreich, Variation 10 | Johann Ulrich Steigleder, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Deitatis Majestatem: II. Hic enim misericors | Michel Richard Delalande, Le Poème Harmonique, Vincent Dumestre, Emmanuelle De Negri, Sean Clayton, Cyril Auvity, André Morsch | B♭ Major | 5 | 6B | 153 BPM | ||
Symphonies pour les soupers du roy / Sixième Suitte: Gracieusement, sans lenteur - Vif | Michel Richard Delalande, Adolf Scherbaum, Orchestre de Chambre Paul Kuentz, Paul Kuentz | G Minor | 3 | 6A | 199 BPM | ||
Trio Sonata No. 3 in C Major: I. Vivace | Daniel Purcell, Le Tresor d'Orphee | B Major | 2 | 1B | 80 BPM | ||
The Gordion Knot Unty'd, Z. 597: Third Act Tune: Air | Henry Purcell, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 76 BPM | ||
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: VI. Credo | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, William Christie, Gilles Ragon, Noemi Rime, Bernard Deletré, Jean-Paul Fouchécourt | A♭ Major | 1 | 4B | 82 BPM | ||
Consort Music: Fantasy à 3 | John Jenkins, Consort Of Musicke, Trevor Jones | F Minor | 0 | 4A | 101 BPM |
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