"Magnificat in A Minor" by Harold Darke, Hereford Cathedral Choir, Roy Massey was released on November 17, 1995. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Hereford Cathedral Choir, Huw Williams, Roy Massey's "Magnificat & Nunc dimittis, Vol. 7" album is number 3 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Magnificat in A Minor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat in A Minor by Harold Darke, Hereford Cathedral Choir, Roy Massey to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM | ||
The Veil of the Temple, Cycle VII: VII. Mother of God | John Tavener, The Holst Singers, The Temple Church Choir, James Vivian, Ian Le Grice, Stephen Layton | E♭ Minor | 1 | 2A | 91 BPM | ||
Thy Hand, O God, Has Guided | The Choir of St George's Chapel, Windsor Castle | D Major | 2 | 10B | 77 BPM | ||
2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | G Minor | 1 | 6A | 134 BPM | ||
Abide with me | William Henry Monk, St. George's Chapel Choir, Windsor, Marlowe Brass Ensemble, Tim Byram-Wigfield | E♭ Major | 1 | 5B | 77 BPM | ||
O sing joyfully | Adrian Batten, Voices of Ascension Chorus, Dennis Keene | A♭ Major | 1 | 4B | 128 BPM | ||
Adoramus Te, Christe | The Wartburg Choir, Dr. Lee Nelson | E Major | 0 | 12B | 131 BPM | ||
Arvo Pärt: Bogoróditse Dévo | Arvo Pärt, Schola Cantorum, Tone Bianca Sparre Dahl | A Major | 1 | 11B | 100 BPM | ||
Ich ruf zu dir, Herr Jesu Christ, SSWV 200 | Samuel Scheidt, Bart Jacobs | D Minor | 0 | 7A | 99 BPM | ||
O Haupt voll Blut und Wunden | Hans Leo Hassler, Johann Hermann Schein, Vocal Concert Dresden, Peter Kopp, Sebastian Knebel | D Major | 1 | 10B | 104 BPM |
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