- BPM
- 128
- Key
- D♭ Major
- Camelot
- 3B
Kapitel 104 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag - David Allen, Jürgen Kalwa Information
- Acousticness
- 12%
- Danceability
- 71%
- Energy
- 29%
- Instrumentalness
- 0%
- Liveness
- 17%
- Loudness
- 66%
- Speechiness
- 91%
- Valence
- 56%
- Popularity
- 0%
- Loudness
- -20.604 dB
Summary
David Allen, Jürgen Kalwa made "Kapitel 104 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" available on 2011. The duration of Kapitel 104 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:12. Based on our data, "Kapitel 104 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 34 out of 210. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Kapitel 104 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Kapitel 104 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag BPM
We consider the tempo marking of Kapitel 104 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
Kapitel 104 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Kapitel 165 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag | David Allen, Jürgen Kalwa | F Minor | 3 | 4A | 67 BPM | |
 | Les Contes d'Hoffmann / Prologue: Dans les rôles d'amoureux langoureux | Jacques Offenbach, Gabriel Bacquier, L'Orchestre de la Suisse Romande, Richard Bonynge | C Major | 3 | 8B | 79 BPM | |
 | Las Golondrinas, Escena 3ª, II parte: "Fuego de paja en el viento" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi, Mercedes Plantada | E♭ Major | 2 | 5B | 129 BPM | |
 | Bizet: Carmen, Act 1: "Regardez donc cette petite qui semble vouloir nous parler" (Moralès, Micaëla, Dragons) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper, Genia Kühmeier | B♭ Major | 1 | 6B | 96 BPM | |
 | Tosca / Act 2: Vittoria! Vittoria! | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Sherrill Milnes, National Philharmonic Orchestra, Nicola Rescigno | F Minor | 5 | 4A | 62 BPM | |
 | Verdi: La traviata, Act 2: "Di Provenza il mar, il suol" (Germont) | Giuseppe Verdi, Maria Callas, Ugo Savarese, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai | D♭ Major | 1 | 3B | 95 BPM | |
 | 4 Letzte Lieder, TrV 296: No. 3, Beim Schlafengehen | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | |
 | Les 7 paroles du Christ: 2e Parole - "Hodie mecum eris in Paradiso" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 0 | 7A | 66 BPM | |
 | Verdi: Aida, Act 1: "Si, corre voce che I'Etiope ardisca" (Ramfis, Radamès) | Giuseppe Verdi, Richard Tucker, Giuseppe Modesti, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Giuseppe Modesti, Orchestra Del Teatro Alla Scala, Milano, Richard Tucker, Tullio Serafin | F♯ Major | 2 | 2B | 107 BPM | |
 | Medea (Medee) (Sung in Italian): Act I: Taci, Giason, e affisi immoto (Medea, Giasone) | Luigi Cherubini, Nicola Zaccaria, Joan Carlyle, Jon Vickers, Maria Callas, Fiorenza Cossotto, David Allen, Mary Wells, Elizabeth Rust, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Nicola Rescigno | D♭ Major | 2 | 3B | 91 BPM |
- ISRC
- DEXO32129218
- Label
- L-M Records/RCA Records
Section: 0.7061831951141357
End: 0.7118551731109619