Paolo Pellegrini made "Sei Proprio Te" available on April 8, 2009. With this song being about 5 minutes long, at 4:40, "Sei Proprio Te" by Paolo Pellegrini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 14 in Bevendo La Vita by Paolo Pellegrini. The popularity of Sei Proprio Te is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sei Proprio Te by Paolo Pellegrini is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "T'assiste Amore!" (Amore, Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Fatma Said, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Gounod : Faust : Act 1 "Ainsi que la brise légère" [Siébel, Faust, Méphistophélès, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 217 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Il pallor funesto, orrendo" (Enrico, Lucia) | Gaetano Donizetti, Maria Callas, Tito Gobbi, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | G Major | 2 | 9B | 81 BPM | ||
L'italiana in Algeri: Atto I. Introduzione. Serenate il mesto ciglio | Gioachino Rossini, La Cetra Vokalensemble Basel, Lilian Farahani, Esther Kuiper, José Coca Loza, Ricardo Seguel, Orchestra Of The 18th Century, Giancarlo Andretta | B Minor | 2 | 10A | 125 BPM | ||
Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: "Lord, bow Thine ear to our pray'r!" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Yvonne Kenny, Anne Dawson, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 0 | 8A | 111 BPM | ||
Puccini: Tosca, Act 3: "Amaro sol per te m'era morire" (Cavaradossi, Tosca) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Victor de Sabata, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 2 | 2B | 171 BPM | ||
Tosca / Act 1: "Tre sbirri... Una carozza... Presto" - Te Deum | Giacomo Puccini, Dietrich Fischer-Dieskau, Piero de Palma, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel | B♭ Major | 3 | 6B | 62 BPM | ||
Verdi: La traviata, Act 2: "Dammi tu forza, o cielo!" (Violetta, Annina) | Giuseppe Verdi, Maria Callas, Ines Marietti, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai | D Minor | 0 | 7A | 131 BPM | ||
Il Trovatore - Ah Si Ben Mio | Ervin Litkei, Andrea Litkei | A♭ Major | 2 | 4B | 82 BPM |
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