Gill Landry's ' "When I Get There" was released on its scheduled release date, June 7, 2024. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 10 in Cinnamon Canyon Blues by Gill Landry. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. In terms of popularity, When I Get There is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of When I Get There by Gill Landry is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Because You're Mine | Chris Emmert, Austin Stambaugh | E Major | 3 | 12B | 116 BPM | ||
Red Station Wagon | Jeffrey Martin | G Major | 9 | 9B | 141 BPM | ||
Tarot | Peter Oren | G Major | 4 | 9B | 124 BPM | ||
Betty And Dupree | Dave Alvin, Jimmie Dale Gilmore, The Guilty Ones | G Major | 4 | 9B | 104 BPM | ||
I Used to Waltz | Austin Leonard Jones | F Major | 3 | 7B | 103 BPM | ||
Nothing Lasts Forever | Jon Rauhouse, Blaine Long | D Minor | 5 | 7A | 128 BPM | ||
Ghost River Song | Box13 | B Major | 3 | 1B | 128 BPM | ||
I Can See the End of the World in Your Eyes | Bob Schneider | C Major | 8 | 8B | 170 BPM | ||
Something More Between Us | David Arn, Melissa Hollick | G Major | 4 | 9B | 80 BPM | ||
This American Lie | John P. Strohm | F Major | 4 | 7B | 102 BPM | ||
This House | Joel Sires | A Major | 5 | 11B | 109 BPM | ||
Cartwheel Avenue | Pete Mancini, Iain Matthews | B♭ Major | 7 | 6B | 110 BPM | ||
There Is a Treasure | Jeffrey Martin | D♭ Major | 2 | 3B | 120 BPM | ||
Brand New Key | Kevn Kinney, Tom Clark | D Major | 4 | 10B | 155 BPM | ||
Escape from Seven Hills | Nick Flessa | E Major | 7 | 12B | 180 BPM | ||
Dawn | Gasoline Lollipops | G Major | 4 | 9B | 111 BPM | ||
Canyon Wren | The Two Tracks | D Minor | 6 | 7A | 158 BPM | ||
A Different Tune | Gill Landry | B♭ Major | 4 | 6B | 78 BPM | ||
The Nurse | Willy Tea Taylor, The Fellership, Anna Tivel | C Minor | 6 | 5A | 148 BPM | ||
Dallas Love to Nashville | Bill Brimer | E Major | 5 | 12B | 152 BPM | ||
Golden Highways | Cliff B Worsham | D♭ Major | 5 | 3B | 129 BPM | ||
One Out of Many | The Oldsfire Band | F♯ Minor | 6 | 11A | 130 BPM | ||
Before the Well Runs Dry | John Hewitt | F Major | 6 | 7B | 95 BPM | ||
Champagne Taste | Jack Browning | F Major | 8 | 7B | 128 BPM | ||
Caffeine and Gasoline | Jackson Emmer | B Major | 2 | 1B | 77 BPM |