"Divertimento for flute, oboe and clarinet, Op.37 (1952): 5. Maestoso" by Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly was released on January 1, 1995. With Divertimento for flute, oboe and clarinet, Op.37 (1952): 5. Maestoso being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 19 in Arnold: The Complete Works for Clarinet by Malcolm Arnold, Emma Johnson, English Chamber Orchestra, Ivor Bolton. In terms of popularity, Divertimento for flute, oboe and clarinet, Op.37 (1952): 5. Maestoso is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Divertimento for flute, oboe and clarinet, Op.37 (1952): 5. Maestoso by Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 78 BPM | ||
4 Scottish Dances, Op. 59: No. 4. Con brio | John P. Paynter, Malcolm Arnold, United States Air Force Band, Larry H. Lang | D Major | 6 | 10B | 139 BPM | ||
Oboe Sonata in D Major, Op. 166: I. Andantino | Camille Saint-Saëns, Allan Vogel, Bryan Pezzone | D Minor | 2 | 7A | 66 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Little Suite for Brass No. 2, Op. 93: III. Galop | Malcolm Arnold, Fine Arts Brass Ensemble | E♭ Major | 4 | 5B | 87 BPM | ||
Overture To Candide | United States Marine Band | B♭ Major | 2 | 6B | 147 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM |
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