"Puts: The Hours, Act 2: "Ent(ha)da oikeîs en te ge" (Chorus, Angelica, Quentin, Julian, Virginia, Vanessa, Laura) [Live]" by Kevin Puts, Yannick Nézet-Séguin, Atticus Ware, Joyce DiDonato, Kelli O'Hara, Lena Josephine Marano, Metropolitan Opera Chorus, Patrick Scott McDermott, Sylvia D'Eramo, Metropolitan Opera Orchestra was released on April 26, 2024. Since Puts: The Hours, Act 2: "Ent(ha)da oikeîs en te ge" (Chorus, Angelica, Quentin, Julian, Virginia, Vanessa, Laura) [Live] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 26 in the song's album "Puts: The Hours (Live)". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. Puts: The Hours, Act 2: "Ent(ha)da oikeîs en te ge" (Chorus, Angelica, Quentin, Julian, Virginia, Vanessa, Laura) [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puts: The Hours, Act 2: "Ent(ha)da oikeîs en te ge" (Chorus, Angelica, Quentin, Julian, Virginia, Vanessa, Laura) [Live] by Kevin Puts, Yannick Nézet-Séguin, Atticus Ware, Joyce DiDonato, Kelli O'Hara, Lena Josephine Marano, Metropolitan Opera Chorus, Patrick Scott McDermott, Sylvia D'Eramo, Metropolitan Opera Orchestra having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Lieder, Op. 27, TrV 170: No. 4, Morgen! (Version for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | G Major | 0 | 9B | 82 BPM | ||
Suite for String Orchestra, JW6 No. 2: V. Adagio | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | B♭ Major | 0 | 6B | 89 BPM | ||
Chansons de Marjolie: No. 3, Celui que j’aime | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | A Major | 1 | 11B | 89 BPM | ||
Ich sehe dich in tausend Bildern, Op.105, No. 1 | Max Reger, Huelgas Ensemble, Paul Van Nevel, Jos Van Immerseel | F♯ Minor | 0 | 11A | 72 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": II. Larghetto | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | D Minor | 1 | 7A | 105 BPM | ||
Ecos de Eternidad: I Saludos II | Jan Sandström, Christian Lindberg, Pedro Carrero, Símon Bolívar Symphony Orchestra | G Major | 1 | 9B | 175 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
A Midsummer Night's Dream, Op. 61: Finale | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 1: Intermezzo I | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | F♯ Major | 0 | 2B | 83 BPM | ||
Labsente | Cécile Chaminade, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 78 BPM |
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