"Moses, Op. 112, Picture 8: Hear What You Master Desires! (Balak)" by Anton Rubinstein, Polish Orchestra Sinfonia Iuventus, Marek Kulbus, Michail Jurowski was released on August 31, 2018. With Moses, Op. 112, Picture 8: Hear What You Master Desires! (Balak) being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Anton Rubinstein, Polish Orchestra Sinfonia Iuventus, Michail Jurowski's "Moses" album is number 19 out of 73. On top of that, Poland appears to be the country where this track was created. Moses, Op. 112, Picture 8: Hear What You Master Desires! (Balak) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Moses, Op. 112, Picture 8: Hear What You Master Desires! (Balak) by Anton Rubinstein, Polish Orchestra Sinfonia Iuventus, Marek Kulbus, Michail Jurowski to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Demon: Act I: (Scene 2) Demon | Anton Rubinstein, Anatoly Lochak, Alison Browner, Marina Mescheriakova, Leonid Zimnenko, Valeriy Serkin, Richard Robson, Ludmilla Andrew, Wjacheslav Weinorowski, Wexford Festival Opera Chorus, RTÉ National Symphony Orchestra, Alexander Anissimov | F Major | 1 | 7B | 128 BPM | ||
2 Melodies, Op. 3: Melody No. 2 in B Major | Anton Rubinstein, Joseph Banowetz | B Major | 0 | 1B | 69 BPM | ||
Rubinstein / Arr. Popper: Melody in F Major, Op. 3 No. 1 | Anton Rubinstein, Taeguk Mun, Chi Ho Han | F Major | 1 | 7B | 93 BPM | ||
4 Pieces, Op. 51: 2. Prélude | Alexander Scriabin, Evgeny Kissin | F Major | 0 | 7B | 75 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
14 Romances, Op. 34: No. 14 Vocalise (Arr. Kocsis for Piano) | Sergei Rachmaninoff, Yuja Wang | D♭ Minor | 0 | 12A | 62 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Piano Sonata No. 25 in G Major, Op. 79 "Cuckoo": II. Andante | Ludwig van Beethoven, Mari Kodama | B♭ Major | 0 | 6B | 170 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM |
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