Prabhanjan Marathe, Tyagraj Khadilkar, Anup Jalota, Megha Gogate, Varsha Bhave, Madhuri, Shekhar Kumbhojkar, Mangala Kane made "Om Jai Jagdish Hare" available on January 28, 2014. Since Om Jai Jagdish Hare is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 32 in the song's album "Shirdi Sai Baba - Mandir Aarti". In this album, this song's track order is #3. In terms of popularity, Om Jai Jagdish Hare is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Om Jai Jagdish Hare by Prabhanjan Marathe, Tyagraj Khadilkar, Anup Jalota, Megha Gogate, Varsha Bhave, Madhuri, Shekhar Kumbhojkar, Mangala Kane having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shukravara Shbhadavara | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, K.S. Surekha, B. R. Chaya, Nanditha, Soumya | F Major | 6 | 7B | 149 BPM | ||
Shree Yamunashtakam - Traditional Raag | Female Chorus | D♭ Major | 4 | 3B | 100 BPM | ||
Medha Suktam | T.Sivaprasad, R.V. Sathyanarayanamurthy | B♭ Minor | 6 | 3A | 93 BPM | ||
"Shri Ram Chandra Kripalu Bhajmana" | Shri Ram Mantra | D♭ Major | 3 | 3B | 94 BPM | ||
Sevã Ej Amãru Jivan | Jaydeep Swadia | G Major | 5 | 9B | 90 BPM | ||
Sri Hanuman Kavacham | Puttur Narasimha Nayak | F♯ Major | 4 | 2B | 76 BPM | ||
Naad Vitthal Vitthal - Studio | Vasant Ajgaonkar | F♯ Major | 10 | 2B | 90 BPM | ||
Harivarasanam | K. J. Yesudas | E♭ Major | 6 | 5B | 140 BPM | ||
Neene Anatha Bandu | O. S. Thyagarajan | A♭ Major | 4 | 4B | 172 BPM | ||
Ghalin Lotangan | Prabhanjan Marathe, Tyagraj Khadilkar, Varsha Bhave, Megha Gogte, Madhuri | F♯ Major | 6 | 2B | 99 BPM |
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