Paul Abraham, Franz Fehringer, Chor, Grosses Operetten Orchester, Franz Marszalek's 'Die Blume von Hawaii: Blume von Hawaii' came out on January 1, 1993. The duration of Die Blume von Hawaii: Blume von Hawaii is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Die Blume von Hawaii: Blume von Hawaii's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Viktoria und ihr Husar - Die Blume von Hawaii - Frau Luna by Rita Bartos, Willy Hofmann, Sandor Konya, Bibi Johns, Margot Eskens, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek. The song's track number on the album is #29 out of 34 tracks. Based on our statistics, Die Blume von Hawaii: Blume von Hawaii's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Blume von Hawaii: Blume von Hawaii by Paul Abraham, Franz Fehringer, Chor, Grosses Operetten Orchester, Franz Marszalek has a tempo of 134 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Die Blume von Hawaii: Blume von Hawaii being at 134 BPM, the half-time would be 67 BPM with a double-time of 268 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Þó þú langförull legðir | Sigvaldi Kaldalóns, Karlakórinn Heimir | F Major | 3 | 7B | 78 BPM | ||
342 – Sião celestial | Orquestra Sacra | D Major | 3 | 10B | 108 BPM | ||
Im weißen Rössl: Im weißen Rössl | Robert Stolz, Herta Talmar, Antonia Fahberg, Franz Fehringer, Willy Hofmann, Bernhard Wilfert, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek | A♭ Major | 3 | 4B | 121 BPM | ||
I've Got Peace Like a River | Hildor Janz, Feldzugschor | E♭ Major | 3 | 5B | 95 BPM | ||
Charleston-Boy, From : ''Die Nacht vor der Premiere'' | Das Fontana-Tanzorchester, Marika Rökk, Sunny-Sisters | D Major | 5 | 10B | 118 BPM | ||
Musikanten sind da: " In der Nacht ist der Mensch nicht gern alleine " | Kölner Rundfunkorchester, Franz Marszalek, Herbert Ernst Groh, Gerhard Wendland, Herta Talmar, Peter Alexander | F Major | 2 | 7B | 75 BPM | ||
Wiener Blut (operetta): Drauss' in Hietzing | Johann Strauss II, Rita Bartos, Willy Hofmann, Sandor Konya, Herta Talmar, Peter Alexander, Chor, Kölner Rundfunkorchester, Franz Marszalek | A♭ Major | 4 | 4B | 73 BPM | ||
Arie 'Dunkelrote Rosen' aus 'Gasparone' von C.Milloecker | Martin Frank | C Major | 5 | 8B | 89 BPM | ||
Fatinitza: March | Franz von Suppé, Slovak Philharmonic, Richard Hayman | A♭ Minor | 6 | 1A | 170 BPM | ||
Unter einem Regenschirm am Abend | Lale Andersen | A♭ Major | 4 | 4B | 84 BPM |
Section: 0.6438965797424316
End: 0.6483757495880127