"Prinsessa Ruusunen (Sleeping Beauty) Suite No. 2, Op. 22: III. Perhosvalssi" by Erkki Melartin, Helsinki Philharmonic Orchestra, Leif Segerstam was released on January 1, 1999. The duration of Prinsessa Ruusunen (Sleeping Beauty) Suite No. 2, Op. 22: III. Perhosvalssi is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Prinsessa Ruusunen (Sleeping Beauty) Suite No. 2, Op. 22: III. Perhosvalssi's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 20 in Children (Classical Favourites For) - Teddy Bear at the Concert Orkesterimusiikin Suosikkeja Lapsille (Nallekarhu Konsertissa) by Helsinki Philharmonic Orchestra, Leif Segerstam. The popularity of Prinsessa Ruusunen (Sleeping Beauty) Suite No. 2, Op. 22: III. Perhosvalssi is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prinsessa Ruusunen (Sleeping Beauty) Suite No. 2, Op. 22: III. Perhosvalssi by Erkki Melartin, Helsinki Philharmonic Orchestra, Leif Segerstam is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 85: No. 3, Studie | Erkki Melartin, Maria Lettberg | A♭ Major | 0 | 4B | 137 BPM | ||
Canção De Maio | Luiz Costa, Fernando Costa, Luis Costa | G Major | 0 | 9B | 74 BPM | ||
Scherzo Serenade | Markolyno | E♭ Major | 0 | 5B | 80 BPM | ||
24 Preludes, Op. 85: No. 2, Cappricio | Erkki Melartin, Maria Lettberg | A♭ Major | 0 | 4B | 137 BPM | ||
Romeo and Juliet, Op. 64: I. Introduction | Sergey Prokoviev, Adrien La Marca, Christian Arming, Liège Royal Philharmonic | D Major | 0 | 10B | 77 BPM | ||
Eylsian Fields | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
Variasjoner over Med Jesus vil eg fara: I. Koral | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
Variations sur un thème hongrois, Op. 72: II. Theme. Adagio | Jenő Hubay, BBC Scottish Symphony Orchestra, Hagai Shaham, Martyn Brabbins | E Major | 2 | 12B | 98 BPM | ||
Sostenuto in F Major, MWV U 167 | Felix Mendelssohn, Howard Shelley | E Major | 0 | 12B | 97 BPM | ||
Sonata No. 5 in E Minor, RV 40: I. Largo | Ashima Scripp, Eleanor Perrone | F Major | 1 | 7B | 135 BPM |
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