"Mendelssohn: A Midsummer Night's Dream, Incidental Music, Op. 61: No. 7, Notturno (Con moto tranquillo)" by Felix Mendelssohn, Orchestra of the Age of Enlightenment, Sir Charles Mackerras was released on 1988. Mendelssohn: A Midsummer Night's Dream, Incidental Music, Op. 61: No. 7, Notturno (Con moto tranquillo) is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, Sir Charles Mackerras, Orchestra of the Age of Enlightenment's "Mendelssohn : Symphony No.4 & A Midsummer Night's Dream" album is number 10 out of 12. In terms of popularity, Mendelssohn: A Midsummer Night's Dream, Incidental Music, Op. 61: No. 7, Notturno (Con moto tranquillo) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mendelssohn: A Midsummer Night's Dream, Incidental Music, Op. 61: No. 7, Notturno (Con moto tranquillo) by Felix Mendelssohn, Orchestra of the Age of Enlightenment, Sir Charles Mackerras to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39: No. 4 In E Minor | Johannes Brahms, Idil Biret | E Minor | 2 | 9A | 80 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Haydn: Symphony No. 86 in D Major, Hob. I:86: I. Adagio - Allegro | Joseph Haydn, Sigiswald Kuijken, Orchestra of the Age of Enlightenment | A Major | 2 | 11B | 148 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: 2. Andante | Felix Mendelssohn, Nicola Benedetti, Academy of St. Martin in the Fields, James MacMillan | C Major | 1 | 8B | 92 BPM | ||
Brandenburg Concerto No. 4 in G BWV1049: I. Allegro | Johann Sebastian Bach, Monica Huggett, Orchestra of the Age of Enlightenment | F♯ Major | 1 | 2B | 89 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM |
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