"Tosca / Act 3: "Franchigia a Floria Tosca"" by Giacomo Puccini, Luciano Pavarotti, Mirella Freni, National Philharmonic Orchestra, Nicola Rescigno was released on January 1, 1978. The duration of Tosca / Act 3: "Franchigia a Floria Tosca" is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Tosca / Act 3: "Franchigia a Floria Tosca"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Puccini: Tosca". In this album, this song's track order is #16. Tosca / Act 3: "Franchigia a Floria Tosca" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca / Act 3: "Franchigia a Floria Tosca" by Giacomo Puccini, Luciano Pavarotti, Mirella Freni, National Philharmonic Orchestra, Nicola Rescigno having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vaga luna che inargenti | Vincenzo Bellini, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | B Major | 2 | 1B | 86 BPM | ||
Pagliacci / Act 2: "Arlecchin! Colombina!" - "Prendi questo narcotico" | Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 1 | 12B | 124 BPM | ||
William Tell - Italian version / Act 1: "Il mio giuro egli disse" | Gioachino Rossini, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | D Major | 4 | 10B | 108 BPM | ||
Volare | Domenico Modugno, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Henry Mancini | E Minor | 2 | 9A | 97 BPM | ||
Turandot / Act 1: Non piangere Liù | Giacomo Puccini, Andrea Bocelli, Jessica Nuccio, Alexander Tsymbalyuk, German Olvera, Valentino Buzza, Pablo Garcia Lopez, Coro de la Comunitat Valenciana, Orquestra de la Comunitat Valenciana, Zubin Mehta | G Major | 2 | 9B | 168 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Il barbiere di Siviglia / Act 1: No.6 Aria: "La calunnia è un venticello" | Gioachino Rossini, Nicolai Ghiaurov, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 2 | 8B | 81 BPM | ||
L'elisir d'amore / Act 2: "Ei corregge ogni difetto" | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 3 | 6B | 126 BPM | ||
Andrea Chénier / Act 1: "Colpito qui m'avete ... Un dì all'azzura spazio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | B♭ Major | 3 | 6B | 90 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Quale smania vi prende! (Sharpless/Pinkerton/Coro/Goro) | Giacomo Puccini, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Coro del Teatro dell' Opera di Roma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Gianni Lazzari, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 2 | 6B | 67 BPM |
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