Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay's 'A Fugal Concerto, Op. 40: I. Moderato' came out on January 1, 2002. With A Fugal Concerto, Op. 40: I. Moderato being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Karoly Botvay's "Holst, G.: St. Paul's Suite / A Fugal Concerto / Britten, B.: Simple Symphony / Walton, W.: 2 Pieces for Strings" album is number 5 out of 15. On top of that, Germany appears to be the country where this track was created. Based on our statistics, A Fugal Concerto, Op. 40: I. Moderato's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Fugal Concerto, Op. 40: I. Moderato by Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVII. Gavotta with Two Variations | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97, “Rhenish”: III. Nicht schnell | Robert Schumann, Philzuid, Duncan Ward | A♭ Major | 0 | 4B | 91 BPM | ||
25 Études faciles et progressives, Op. 100: No. 24, L'hirondelle | Franz Burgmüller, The Gerst Ensemble | G Major | 0 | 9B | 197 BPM | ||
Film music for Henry V: 2 Pieces for Strings: Touch Her Soft Lips and Part | William Walton, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Simple Symphony, Op. 4: I. Boisterous Bouree | Benjamin Britten, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
La bola de cristal | Juan Pablo Fernández Ramos | G Minor | 1 | 6A | 80 BPM | ||
Csardas (arr. for flute and chamber emsemble) | Vittorio Monti, Peter Wolf, Istvan-Zsolt Nagy, Budapest Strings | D Major | 2 | 10B | 75 BPM | ||
The 4 Seasons: Violin Concerto in F major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): I. Allegro | Karoly Botvay | F Major | 0 | 7B | 107 BPM | ||
Horn Concerto No. 1 in E-Flat Major, Op. 11, TrV 117: I. Allegro | Richard Strauss, Copenhagen Philharmonic Orchestra, Toshiyuki Kamioka | E♭ Major | 0 | 5B | 130 BPM |
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