Juan del Encina, Christopher Page, Gothic Voices's 'Mi libertad en sosiego' came out on September 1, 1993. With Mi libertad en sosiego being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "The Voice in the Garden: Spanish Songs & Motets, 1480-1550". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Mi libertad en sosiego is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mi libertad en sosiego by Juan del Encina, Christopher Page, Gothic Voices having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gregory Huwet: Fantasie (1595) | Paul O'Dette | A♭ Minor | 0 | 1A | 126 BPM | ||
La berouïsse | Pierre Attaingnant, Andrew Lawrence-King, The Harp Consort, Clara Sanabras | D Major | 3 | 10B | 70 BPM | ||
Innsbruck, ich muss dich lassen | Heinrich Isaac, Capilla Flamenca | F Major | 0 | 7B | 94 BPM | ||
Ach Elslein, liebes Elselein mein II | Ludwig Senfl, Matthias Lucht, Sven Schwannberger, Julian Behr | D Major | 1 | 10B | 119 BPM | ||
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
¡Ay triste que vengo! | Juan del Encina, Taracea, Isabel Martín, David Mayoral | A Minor | 2 | 8A | 112 BPM | ||
Missa "Mille Regretz": Gloria (Morales) | The Hilliard Ensemble | B Major | 2 | 1B | 100 BPM | ||
Lagrimosa beltà | Giovanni Felice Sances, The King's Noyse | A Major | 3 | 11B | 58 BPM | ||
Tarantela | Rolf Lislevand, Santiago De Murcia | B Major | 0 | 1B | 79 BPM | ||
Ay triste que vengo | Juan del Encina, Berry Hayward Consort, Berry Hayward, Groupe Vocal Claire Caillard-Hayward | F Major | 1 | 7B | 53 BPM |
Section: 0.6119835376739502
End: 0.6199774742126465