Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel's 'Mensa sonora / PARS II (In F Major): 4. Balletto. Alla breve (II)' came out on January 1, 1988. With Mensa sonora / PARS II (In F Major): 4. Balletto. Alla breve (II) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 10 out of 47 in Biber: Mensa Sonora by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Mensa sonora / PARS II (In F Major): 4. Balletto. Alla breve (II) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Mensa sonora / PARS II (In F Major): 4. Balletto. Alla breve (II) by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: III. Andante [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | F♯ Minor | 2 | 11A | 130 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: II. Allegro | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Chamber Sonata No. 2 in C Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | B Minor | 0 | 10A | 116 BPM | ||
Mensa sonora / PARS II (In F Major): 2. Balletto. Alla breve (I) | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D Minor | 0 | 7A | 81 BPM | ||
Xerxes Ballet: Air pour les esclaves dansants | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 0 | 3B | 79 BPM | ||
Madrigali, Book 1: No. 18, Sonata à 31 | Francesco Turini, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Concerto in G Major, S. 213: 4. Entrée | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 97 BPM | ||
Recorder Sonata No. 11 in A Minor: II. Allegro | Domenico Sarro, Dan Laurin, London Baroque | A♭ Minor | 2 | 1A | 119 BPM | ||
Sonata à la Marésienne: I. Un peu grave | Marin Marais, Musica Antiqua Köln, Reinhard Goebel | B Major | 1 | 1B | 76 BPM | ||
Concerto Á 5 In E Minor: 1. Allegro non molto | Pierre-Gabriel Buffardin, Musica Antiqua Köln, Reinhard Goebel | E♭ Minor | 1 | 2A | 106 BPM |
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