Francis Pilkington, Alfred Deller, Deller Consort made "First Set of Madrigals and Pastorals, 1613 -Amyntas with his Phyllis Fair" available on May 19, 2009. With First Set of Madrigals and Pastorals, 1613 -Amyntas with his Phyllis Fair being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 135 in Alfred Deller: Madrigals, Complete Deller Vol. 5 by Alfred Deller, Deller Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, First Set of Madrigals and Pastorals, 1613 -Amyntas with his Phyllis Fair is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of First Set of Madrigals and Pastorals, 1613 -Amyntas with his Phyllis Fair by Francis Pilkington, Alfred Deller, Deller Consort is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Magdalena | Pierre Attaingnant, Hopkinson Smith | D♭ Minor | 2 | 12A | 92 BPM | ||
Suite in D Minor: IV. Canaries | Vieux Gaultier, Hopkinson Smith | C Minor | 1 | 5A | 65 BPM | ||
Varietie of Lute Lessons, 1610: Pavin No. 2. Composed by the most famous and perfect Artist Anthonie Holborne | Anthony Holborne, Matthew Wadsworth | F♯ Minor | 1 | 11A | 101 BPM | ||
Requiem: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | G Major | 1 | 9B | 73 BPM | ||
Per quella strada lactea del cielo | Johannes Ciconia, Cantilena Antiqua, Concentus Lucensis, Stefano Albarello | D Major | 1 | 10B | 132 BPM | ||
Alfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa) | La Capella Reial De Catalunya | E Minor | 0 | 9A | 114 BPM | ||
George Pilkington's Funeral: Pavane | Richard MacKenzie, Francis Pilkington | D Major | 1 | 10B | 72 BPM | ||
Te Lucis Ante Terminum, Festal | Thomas Tallis, Voces8, Christian Forshaw | B♭ Minor | 0 | 3A | 74 BPM | ||
Basse danse la Magdalena | Pierre Attaingnant, Ulsamer Collegium, Josef Ulsamer | D Minor | 0 | 7A | 83 BPM | ||
The Spanish Pavane | Francis Pilkington, Juan Carlos de Mulder, La Spagna | B Major | 1 | 1B | 112 BPM |
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