"Klavierkonzert No. 20 in D-Moll, K. 466: 2. Romance (Arr. Musik für kleine Ohren) - Rework" by Musik für kleine Ohren was released on April 27, 2004. The duration of Klavierkonzert No. 20 in D-Moll, K. 466: 2. Romance (Arr. Musik für kleine Ohren) - Rework is about 3 minutes long, at 3:23. Based on our data, "Klavierkonzert No. 20 in D-Moll, K. 466: 2. Romance (Arr. Musik für kleine Ohren) - Rework" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 01: Wolfgang Amadeus Mozart, so we believe that "Klavierkonzert No. 20 in D-Moll, K. 466: 2. Romance (Arr. Musik für kleine Ohren) - Rework" is a single. Based on our statistics, Klavierkonzert No. 20 in D-Moll, K. 466: 2. Romance (Arr. Musik für kleine Ohren) - Rework's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Klavierkonzert No. 20 in D-Moll, K. 466: 2. Romance (Arr. Musik für kleine Ohren) - Rework by Musik für kleine Ohren is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Prelude & Fughetta in G Major, BWV 902: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | D Major | 3 | 10B | 101 BPM | ||
Solfeggio in C Minor, Wq. 117: No. 2 | Carl Philipp Emanuel Bach, See Siang Wong | C Minor | 2 | 5A | 78 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
Chopin: 12 Etudes, Op. 25: No. 1 in A-Flat Major, "Aeolian Harp" | Frédéric Chopin, Nikolai Lugansky | A♭ Major | 0 | 4B | 66 BPM | ||
Sinfonia Concertante For Violin, Viola And Orchestra In E Flat, K.364: 2. Andante | Wolfgang Amadeus Mozart, Giuliano Carmignola, Danusha Waskiewicz, Orchestra Mozart, Claudio Abbado | C Minor | 0 | 5A | 107 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM |
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