Edouard Van Remoortel, Bamberg Symphony made "Symphony No.100 in G Major ("Military"): III. Minuet: Moderato" available on November 27, 2011. With this song being about 5 minutes long, at 4:59, "Symphony No.100 in G Major ("Military"): III. Minuet: Moderato" by Edouard Van Remoortel, Bamberg Symphony is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in San's "Instant Classical Collection - Most Popular Masterpieces, Vol. 1" album is number 34 out of 87. Based on our statistics, Symphony No.100 in G Major ("Military"): III. Minuet: Moderato's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Symphony No.100 in G Major ("Military"): III. Minuet: Moderato by Edouard Van Remoortel, Bamberg Symphony to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet In C, D. 956: 4. Allegretto | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | G Major | 1 | 9B | 97 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
String Quintet in D Major, Op. 39, No. 3, G. 339: I. Allegro vivo | Luigi Boccherini, Quintetto Boccherini | D Major | 2 | 10B | 140 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26 - III. Finale. Allegro energico | Max Bruch, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | G Major | 1 | 9B | 91 BPM | ||
Solfeggio in C Minor, Wq. 117: No. 2 | Carl Philipp Emanuel Bach, See Siang Wong | C Minor | 2 | 5A | 78 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Symphony in D Major, Op. 3, No. 2: I. Presto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | A Major | 1 | 11B | 83 BPM | ||
Symphony No. 35 KV385 in DMajor "Haffner": Allegro con spirito | Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 79 BPM | ||
Keyboard Sonata in A Major, Wq. 55/4, H. 186: II. Poco adagio | Carl Philipp Emanuel Bach, Christopher Hinterhuber | F♯ Minor | 0 | 11A | 131 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: "Die Himmel erzählen die Ehre Gottes" | Franz Joseph Haydn, Gundula Janowitz, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | C Major | 3 | 8B | 110 BPM |
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