Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra's 'Wie man im Himmel lebt' came out on October 11, 2012. Since Wie man im Himmel lebt is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vol. 18 Naturstimmen by Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra. The song's track number on the album is #13 out of 16 tracks. The popularity of Wie man im Himmel lebt is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wie man im Himmel lebt by Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra has a tempo of 177 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Wie man im Himmel lebt being at 177 BPM, the half-time would be 88 BPM with a double-time of 354 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
鏡の踊り 歌劇「ファウスト」 バレエ音楽より | Charles Gounod, Tokyo Symphony Orchestra | G Major | 1 | 9B | 85 BPM | ||
バレエ組曲「白鳥の湖」~スペインの踊り(チャイコフスキー) | Pyotr Ilyich Tchaikovsky, Vladimir Fedoseyev, モスクワ放送交響楽団 | F♯ Minor | 4 | 11A | 147 BPM | ||
Gavotte | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | A Major | 1 | 11B | 130 BPM | ||
Scènes pittoresques, Orchestersuite in 4 Sätzen: Marche | Slovak Philharmonic, Alberto Lizzio | D Major | 1 | 10B | 128 BPM | ||
Serenade for String Orchestra, Op. 11: Marcia | Dag Wirén, Helsingborg Symphony Orchestra, Okko Kamu | G Major | 1 | 9B | 134 BPM | ||
Helden-Gedichte, Op. 87: Heldengedichte, Walzer, Op. 87 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Manfred Müssauer | E♭ Major | 1 | 5B | 96 BPM | ||
Teil 10 - Folge 42: Dritte Runde für Professor van Dusen | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Helmut Stauss, Peter Matic, Viola Sauer, Liane Rudolph, Heinz Rabe, Jean Cuillerier, Andreas Thieck, Uwe Müller | A Minor | 3 | 8A | 82 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Act II: Entr'akt | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM | ||
Mascagni: Cavalleria rusticana: Preludio (Andante sostenuto) | Pietro Mascagni, Victoria de los Ángeles, Franco Corelli, Mario Sereni, Adriana Lazzarini, Corinna Vozza, Coro del Teatro dell' Opera di Roma, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 1 | 7B | 93 BPM |
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