Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra's 'Wie man im Himmel lebt' came out on October 11, 2012. Since Wie man im Himmel lebt is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vol. 18 Naturstimmen by Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra. The song's track number on the album is #13 out of 16 tracks. The popularity of Wie man im Himmel lebt is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wie man im Himmel lebt by Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra has a tempo of 177 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Wie man im Himmel lebt being at 177 BPM, the half-time would be 88 BPM with a double-time of 354 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | ||
Die Puppenfee (The Fairy Doll): No. 8 Chinesin: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 92 BPM | ||
Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM | ||
Fremdenführer-Gavotte aus der Operette "Der Fremdenführer" | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | B♭ Major | 1 | 6B | 113 BPM | ||
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 1 | 12B | 89 BPM | ||
Othello, Op. 79: III. Willow Song | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | A♭ Major | 0 | 4B | 73 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM |
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