"Love is here to stay - 1990 - Remaster" by Yehudi Menuhin, Max Harris, Stéphane Grappelli, The Alan Clare Trio was released on 1998. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Unforgettable Classics: Grappelli". In this album, this song's track order is #5. Love is here to stay - 1990 - Remaster is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Love is here to stay - 1990 - Remaster by Yehudi Menuhin, Max Harris, Stéphane Grappelli, The Alan Clare Trio having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Fantasie-impromptu in C-Sharp Minor, Op. 66 No. 4 | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 1 | 3B | 82 BPM | ||
Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | ||
Purcell: Abdelazer, Z. 570: II. Rondeau | Henry Purcell, Yehudi Menuhin, Bath Festival Orchestra | D Minor | 2 | 7A | 104 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 | Camille Saint-Saëns, Philharmonia Orchestra, Eugene Goossens, Yehudi Menuhin | A Minor | 2 | 8A | 83 BPM | ||
Mozart: Symphony No. 41 in C Major, K. 551 "Jupiter": IV. Molto allegro | Wolfgang Amadeus Mozart, Yehudi Menuhin, Sinfonia Varsovia | C Major | 4 | 8B | 143 BPM | ||
Hungarian Rhapsody No.6 in D-Flat Major, S. 244 | Franz Liszt, Martha Argerich | D♭ Major | 3 | 3B | 127 BPM |
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