You're a Good Man, Charlie Brown Ensemble (1999) made "Opening / You're a Good Man, Charlie Brown" available on March 9, 1999. With this song being about 5 minutes long, at 5:01, "Opening / You're a Good Man, Charlie Brown" by You're a Good Man, Charlie Brown Ensemble (1999) is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of You're a Good Man, Charlie Brown (New Broadway Cast Recording (1999)) by New Broadway Cast of You're a Good Man, Charlie Brown (1999). The song's track number on the album is #1 out of 15 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Opening / You're a Good Man, Charlie Brown's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Opening / You're a Good Man, Charlie Brown by You're a Good Man, Charlie Brown Ensemble (1999) has a tempo of 152 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Opening / You're a Good Man, Charlie Brown being at 152 BPM, the half-time would be 76 BPM with a double-time of 304 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Horton Sits On The Egg / Act I Finale - Original Broadway Cast Recording | Kevin Chamberlin, Janine LaManna | F Major | 5 | 7B | 135 BPM | ||
Good Morning, Good Day | Zachary Levi, Nicholas Barasch, Michael McGrath, Jane Krakowski, Gavin Creel | B Major | 4 | 1B | 131 BPM | ||
Could You? | Mindi Dickstein, Jason Howland, 'Little Women' Original Broadway Cast | A♭ Major | 3 | 4B | 112 BPM | ||
One by One by One | Jared Gertner, Hunter Foster, Kate Wetherhead, Lisa Brescia | D Major | 3 | 10B | 79 BPM | ||
"In My Own Little Corner" - Reprise | Laura Osnes, Victoria Clark | F Minor | 3 | 4A | 112 BPM | ||
Love Is Always Lovely in the End | 'The Drowsy Chaperone' Original Broadway Cast | C Minor | 2 | 5A | 58 BPM | ||
Overture / Prologue: A Warning to the Audience | A Gentleman's Guide To Love And Murder Original Broadway Cast | A Major | 3 | 11B | 115 BPM | ||
Just Another Day | Alice Ripley, Aaron Tveit, J. Robert Spencer, Louis Hobson, Jennifer Damiano, Adam Chanler-Berat | E Minor | 6 | 9A | 83 BPM | ||
Man About Town | Roger Bart | F Major | 4 | 7B | 137 BPM | ||
Willy Wonka! Willy Wonka! | Jake Ryan Flynn, Charlie and the Chocolate Factory Broadway Ensemble | B Major | 4 | 1B | 104 BPM |
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