Julius Benedict, John McCormack, Reinald Werrenrath, Studio Orchestra's 'The Lily of Killarney: The Moon hath Raised Her Lamp Above' came out on September 1, 2007. The duration of The Lily of Killarney: The Moon hath Raised Her Lamp Above is about 3 minutes long, at 3:22. Based on our data, "The Lily of Killarney: The Moon hath Raised Her Lamp Above" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in John McCormack, Walter B. Rogers's "Mccormack, John: Mccormack Edition, Vol. 5: The Acoustic Recordings (1914-1915)" album is number 21 out of 26. The Lily of Killarney: The Moon hath Raised Her Lamp Above is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Lily of Killarney: The Moon hath Raised Her Lamp Above by Julius Benedict, John McCormack, Reinald Werrenrath, Studio Orchestra to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sebben crudele mi fai languir' | Antonio Caldara, Cecilia Bartoli, György Fischer | C Major | 0 | 8B | 97 BPM | ||
Feel My Rhythm - Orchestra Version | Seoul Philharmonic Orchestra | G Major | 6 | 9B | 120 BPM | ||
Carneval in Venedig | Julius Benedict, Emmerich Smola, Ingeborg Hallstein, SWR Rundfunkorchester | D Major | 2 | 10B | 139 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
La traviata / Act 1: Sempre libera | Giuseppe Verdi, Nadine Sierra, Paolo Fanale, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza | A♭ Major | 1 | 4B | 78 BPM | ||
La Pastorella delle Alpi | June Anderson, Raul Gimenez, Kathryn Bouleyn, Alessandro Corbelli, Nina Walker | C Major | 0 | 8B | 65 BPM | ||
Grieg: Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming | Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen | E Major | 0 | 12B | 79 BPM | ||
Concert Polonaise, Op. 14 | David Popper, 欧阳娜娜, 江天霖 | B♭ Major | 1 | 6B | 93 BPM | ||
The Magic Flute, K. 620: Overture | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | E♭ Major | 1 | 5B | 90 BPM | ||
Alma del core | Antonio Caldara, Kathleen Kim, Jong Ho Park | A Major | 1 | 11B | 109 BPM |
Section: 0.7890479564666748
End: 0.7937021255493164