Der Frühling: "O wie lieblich ist der Anblick" - Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Werner Güra, Dietrich Henschel Information

Acousticness: 94%
Danceability: 30%
Energy: 15%
Instrumentalness: 0%
Liveness: 8%
Loudness: 65%
Speechiness: 8%
Valence: 29%
Popularity: 9%
Loudness: -20.722 dB

Summary

Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Werner Güra, Dietrich Henschel's 'Der Frühling: "O wie lieblich ist der Anblick"' came out on 2004. With this song being about 5 minutes long, at 4:46, "Der Frühling: "O wie lieblich ist der Anblick"" by Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Werner Güra, Dietrich Henschel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Joseph Haydn, René Jacobs, Freiburger Barockorchester's "Haydn: Die Jahreszeiten" album is number 8 out of 44. On top of that, France appears to be the country where this track was created. Der Frühling: "O wie lieblich ist der Anblick" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Der Frühling: "O wie lieblich ist der Anblick" BPM

We consider the tempo marking of Der Frühling: "O wie lieblich ist der Anblick" by Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Werner Güra, Dietrich Henschel to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Der Frühling: "O wie lieblich ist der Anblick" Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

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Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": VI. Agnus Dei. Agnus Dei	Joseph Haydn, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore, Stephen Varcoe, Collegium Musicum 90 Choir	G Major	3	9B	114 BPM
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Requiem in B-Flat Major, MH 838: VIII. Lacrimosa	Michael Haydn, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg Grun	F♯ Minor	0	11A	69 BPM
Der Sommer: "Die düst'ren Wolken trennen sich"	Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Werner Güra, Dietrich Henschel, RIAS Kammerchor	D Major	2	10B	83 BPM
Serse, HWV 40, Act I: O voi, che penate (Romilda, Arsamene, Elviro, Serse)	George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra	E Minor	2	9A	147 BPM
Mass in C Major, Op. 86: Gloria: Qui tollis peccata mundi	Ludwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling	C Major	0	8B	136 BPM
Die Schöpfung, Hob. XXI:2 / Dritter Teil: 32. Duett: "Holde Gattin, dir zur Seite - Der tauende Morgen"	Franz Joseph Haydn, Gundula Janowitz, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan	E♭ Major	1	5B	117 BPM

ISRC: FRZ140325080
Label: L-M Records/RCA Records

Section: 0.7605373859405518

End: 0.7659096717834473