K. L. Saigal's ' "Main Nahin Makhan Khayo" was released on its scheduled release date, January 1, 1941. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Main Nahin Makhan Khayo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 19 in Devotional Songs Of K. L. Saigal by K. L. Saigal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Main Nahin Makhan Khayo's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Main Nahin Makhan Khayo by K. L. Saigal is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ab Ke Baras | Mahendra Kapoor, Laxmikant–Pyarelal | F♯ Major | 6 | 2B | 94 BPM | ||
Dekhore Nayan Melay | Anup Ghoshal | C Major | 2 | 8B | 115 BPM | ||
Nis Din Barsat Nain Hamare | K. L. Saigal | A Major | 3 | 11B | 80 BPM | ||
E Monihar Amay | Debabrata Biswas | B Minor | 3 | 10A | 78 BPM | ||
Ni Sa Ga Ma Pa Ni Sa Re Sa | K. J. Yesudas, Salil Chowdhury | F Minor | 5 | 4A | 101 BPM | ||
Sanaicha Sur | Amol Bavdekar | G Minor | 6 | 6A | 135 BPM | ||
O Yara Dildara | Mahendra Kapoor, Balbir, Joginder Singh | C Major | 4 | 8B | 79 BPM | ||
Bhool To Maa Se (Sad) | Udit Narayan | A♭ Major | 6 | 4B | 99 BPM | ||
Idhar Bhi Ishwar Udhar Bhi - With Dialogue | Sushma Shrestha, Kamal Barot, Hemlata, Various Artists, Kalyanji-Anandji | A♭ Major | 6 | 4B | 83 BPM | ||
Lingobacha Dongur | Ravindra, Chandrakant Kale | G Major | 5 | 9B | 123 BPM |