Masaru Sato's 'Minilla Vs. Kumonga' had a release date set for 1967. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 34 in the song's album "Son of Godzilla Original Soundtrack". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Japan. The popularity of Minilla Vs. Kumonga is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Minilla Vs. Kumonga by Masaru Sato having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Submarine / Joker Loots Gotham - From The Episode "The Last Laugh" | Shirley Walker | F♯ Major | 3 | 2B | 121 BPM | ||
Death Battle At Osaka Castle | Masaru Sato | G Minor | 1 | 6A | 89 BPM | ||
Godzilla Vs. Godzilla | Masaru Sato | D♭ Major | 4 | 3B | 81 BPM | ||
Upstart Dino Park | Byron McKay | G Major | 1 | 9B | 142 BPM | ||
The Birth Of Minilla | Masaru Sato | G Minor | 2 | 6A | 112 BPM | ||
The Last Fight / The Chop to the End | Harry Manfredini | F♯ Major | 2 | 2B | 137 BPM | ||
Triumph on Your Knees | DePaul Osaze | E♭ Major | 2 | 5B | 100 BPM | ||
The Inevitable, Pt. II | John Massari | A♭ Major | 3 | 4B | 75 BPM | ||
The Cylon Base Ship (Imperious Leader) | Los Angeles Philharmonic, John Neal | B♭ Major | 0 | 6B | 133 BPM | ||
Godzilla Theme | Keith Emerson | E♭ Major | 4 | 5B | 105 BPM |