"The Lord's My Shepherd (Arr. William Baird Ross and Michael Leighton Jones)" by The Choir of Trinity College, Melbourne, Jonathan Bradley, Michael Leighton Jones was released on November 9, 2012. The duration of The Lord's My Shepherd (Arr. William Baird Ross and Michael Leighton Jones) is about 3 minutes long, at 3:13. Based on our data, "The Lord's My Shepherd (Arr. William Baird Ross and Michael Leighton Jones)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 50 Best-Loved Hymns, so we believe that "The Lord's My Shepherd (Arr. William Baird Ross and Michael Leighton Jones)" is a single. The Lord's My Shepherd (Arr. William Baird Ross and Michael Leighton Jones) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Lord's My Shepherd (Arr. William Baird Ross and Michael Leighton Jones) by The Choir of Trinity College, Melbourne, Jonathan Bradley, Michael Leighton Jones is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sacred Veil: XII. Child of Wonder | Various Artists, Christopher Watson, Polyphonic Voices, Rhodri Clarke, Rosanne Hunt, The Choir of Trinity College, Melbourne | C Minor | 0 | 5A | 139 BPM | ||
Jesus Lives and So Shall I (JESUS, MEINE ZUVERSICHT) | The Redeemer Choir Austin Texas | C Major | 3 | 8B | 71 BPM | ||
God of our fathers | George William Warren, Cathedral Choral Society, Nicholas White, Gisele Becker | B♭ Major | 2 | 6B | 85 BPM | ||
This Is the Day the Lord Has Made - Church Organ | Faithful Fathers | C Major | 2 | 8B | 76 BPM | ||
How Can I Keep from Singing? | The Biralee Blokes, Ashreya Ward, Justine Favell, Paul Holley | A♭ Major | 1 | 4B | 123 BPM | ||
Wondrous Love | Paul J. Christiansen, William Walker, BYU Women's Chorus, Amy Dalton | A♭ Minor | 0 | 1A | 139 BPM | ||
Cantate Domino | Giuseppe Ottavio Pitoni | B♭ Major | 2 | 6B | 140 BPM | ||
Michael "All My Hope on God Is Founded" | Herbert Howells, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | F Major | 1 | 7B | 86 BPM | ||
Crossing the Bar | Hubert Parry, Choir of Jesus College, Cambridge, Mark Williams | D Major | 1 | 10B | 70 BPM | ||
Come Down, O Love Divine (Arr. Michael Leighton Jones) | Ralph Vaughan Williams, Michael Leighton Jones, Richard Frederick Littledale, The Choir of Trinity College, Melbourne, Jonathan Bradley | D Major | 2 | 10B | 84 BPM |
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