Isaac Albéniz, Lalyta Almirón made "12 Piezas características, Op. 92: No. 12, Torre Bermeja (Arr. for Guitar)" available on 2009. The duration of 12 Piezas características, Op. 92: No. 12, Torre Bermeja (Arr. for Guitar) is about 3 minutes long, at 3:05. Based on our data, "12 Piezas características, Op. 92: No. 12, Torre Bermeja (Arr. for Guitar)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 81 in the song's album "Segovia & Contemporaries, Vol. 11: Rio de la Plata Guitarists". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Canada. The popularity of 12 Piezas características, Op. 92: No. 12, Torre Bermeja (Arr. for Guitar) is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With 12 Piezas características, Op. 92: No. 12, Torre Bermeja (Arr. for Guitar) by Isaac Albéniz, Lalyta Almirón having a BPM of 163 with a half-time of 82 BPM and a double-time of 326 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tarantella | Johann Kaspar Mertz, Thibault Cauvin | A Minor | 3 | 8A | 139 BPM | ||
Prelude No 1 | Heitor Villa-Lobos, Marco Antonio Anguiano | E Minor | 1 | 9A | 77 BPM | ||
8 Etudes: 24 Studies, Op. 35, "Exercises": No. 22 in E minor | Norbert Kraft | B Minor | 1 | 10A | 109 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM | ||
Waltz No.9 In A Flat, Op.69 No.1 -"Farewell" | Frédéric Chopin, Claudio Arrau | A♭ Major | 0 | 4B | 73 BPM | ||
Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Dong Hyek Lim | D♭ Major | 0 | 3B | 67 BPM | ||
Intermezzo No. 1 | Manuel Ponce, Simon Ghraichy | E Minor | 1 | 9A | 67 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Sibelius: 13 Pieces, Op. 76: No. 2, Étude | Jean Sibelius, Leif Ove Andsnes | A Minor | 1 | 8A | 127 BPM |
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