On July 5, 2011, the song "Cello Sonata in F Major, Op. 14, No. 2, RV 41 (arr. L. Dallapiccola for cello and piano): II. Allegro misurato" was released by Luigi Dallapiccola, Antonio Vivaldi, Martin Rummel, Till Alexander Körber. The duration of Cello Sonata in F Major, Op. 14, No. 2, RV 41 (arr. L. Dallapiccola for cello and piano): II. Allegro misurato is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Cello Sonata in F Major, Op. 14, No. 2, RV 41 (arr. L. Dallapiccola for cello and piano): II. Allegro misurato's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi (Dallapiccola): Cellosonaten by Antonio Vivaldi, Martin Rummel. The song's track number on the album is #6 out of 48 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Cello Sonata in F Major, Op. 14, No. 2, RV 41 (arr. L. Dallapiccola for cello and piano): II. Allegro misurato is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Cello Sonata in F Major, Op. 14, No. 2, RV 41 (arr. L. Dallapiccola for cello and piano): II. Allegro misurato by Luigi Dallapiccola, Antonio Vivaldi, Martin Rummel, Till Alexander Körber has a tempo of 119 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Cello Sonata in F Major, Op. 14, No. 2, RV 41 (arr. L. Dallapiccola for cello and piano): II. Allegro misurato being at 119 BPM, the half-time would be 60 BPM with a double-time of 238 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schnittke: String Quartet No. 3: I. Andante | Alfred Schnittke, Borodin Quartet | G Major | 1 | 9B | 85 BPM | ||
Dallapiccola: Liriche greche I, 5 Frammenti di Saffo: No. 4, Piena splendeva la luna. Allegretto molto comodo | Luigi Dallapiccola, Hans Zender, Ensemble Intercontemporain, Julie Moffat | F Major | 0 | 7B | 113 BPM | ||
Suite in the Old Style: II. Ballet | Alfred Schnittke, Daniel Hope, Alexey Botvinov | D Major | 3 | 10B | 117 BPM | ||
New Life Piano Sonata, Op. 99: I. Introduction & Allegro | Fazıl Say | A♭ Major | 2 | 4B | 95 BPM | ||
Clarinet Quartet: I. Notturno. Adagio | Krzysztof Penderecki, Kilian Herold, Florian Donderer, Barbara Buntrock, Tanja Tetzlaff | G Minor | 0 | 6A | 76 BPM | ||
Aeon | Fred Hersch | G Minor | 0 | 6A | 67 BPM | ||
2 Pieces: No. 1. The Moon | Benjamin Britten, Matthew Jones, Annabel Thwaite | G Major | 1 | 9B | 87 BPM | ||
Thème et variations: I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: No. 3, Elegia. Adagio | Anton Arensky, Smetana Trio | G Minor | 0 | 6A | 89 BPM | ||
Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Initiation II | Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois | F Major | 1 | 7B | 89 BPM |
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