Federico Moreno Torroba, Ana Vidovic made "Las puertas de Madrid: No. 4. Puerta de Hierro" available on July 31, 2007. With Las puertas de Madrid: No. 4. Puerta de Hierro being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Federico Moreno Torroba, Ana Vidovic's "Moreno-Torroba: Guitar Music, Vol. 1" album is number 18 out of 24. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Las puertas de Madrid: No. 4. Puerta de Hierro is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Las puertas de Madrid: No. 4. Puerta de Hierro by Federico Moreno Torroba, Ana Vidovic to be Presto (very, very fast) because the track has a tempo of 182 BPM, a half-time of 91BPM, and a double-time of 364 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: III. Courante | Robert de Visée, Thibaut García | A Minor | 0 | 8A | 83 BPM | ||
Monte Carmelo: "Intermedio" | Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica | B♭ Major | 2 | 6B | 76 BPM | ||
Sons de Carrilhoes | Jorge Cardoso | G Major | 2 | 9B | 131 BPM | ||
Promessa - Waltz (Paschoito) | Dilermando Reis, Ricardo Cobo | E Major | 0 | 12B | 127 BPM | ||
26 Ricercares: No. 10, Ricercare del decimo tono per duro | Vincenzo Galilei, John Oeth | E Major | 0 | 12B | 132 BPM | ||
Luis Fernanda, Act III, Scene 6: Cuadro Tercero (Vidal) | Federico Moreno Torroba, Orquesta Sinfónica de Madrid, Antoni Ros Marbá, Juan Pons, Coro de la Universidad Politécnica de Madrid | E Major | 3 | 12B | 118 BPM | ||
Valse, Op. 64: II. Tempo giusto | Frédéric Chopin, Tatyana Ryzhkova | A Minor | 4 | 8A | 147 BPM | ||
Preludios Epigramaticos: No. 4 | Leo Brouwer, Elena Papandreou | B Minor | 0 | 10A | 136 BPM | ||
Soleares | Celedonio Romero, Heike Matthiesen | F Major | 1 | 7B | 108 BPM | ||
Sonata D Major, Op. 61: 1. Allegro | Joaquin Turina, Klaus Jäckle | G Major | 1 | 9B | 76 BPM |
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