"Bach, WF / Orch Rondeau: Keyboard Sonata in G Major, F. 7: II. Lamento" by Wilhelm Friedemann Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener was released on February 3, 2017. The duration of Bach, WF / Orch Rondeau: Keyboard Sonata in G Major, F. 7: II. Lamento is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Bach, WF / Orch Rondeau: Keyboard Sonata in G Major, F. 7: II. Lamento's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 14 in Dynastie - Bach Family Concertos by Jean Rondeau. In terms of popularity, Bach, WF / Orch Rondeau: Keyboard Sonata in G Major, F. 7: II. Lamento is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, WF / Orch Rondeau: Keyboard Sonata in G Major, F. 7: II. Lamento by Wilhelm Friedemann Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mystery (Rosary) Sonata No. 4, "The Presentation of the Infant Jesus in the Temple" | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 136 BPM | ||
Violin Concerto in G Minor, Op. 8, No. 2, RV 315 "L'estate": II. Adagio - Presto - Adagio | Antonio Vivaldi, Gidon Kremer, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | D Major | 3 | 10B | 132 BPM | ||
Ouverture in E Minor, TWV 55:e1: VI. Air. Un peu vivement | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | E♭ Minor | 1 | 2A | 168 BPM | ||
Concerto VIII in Re minore RV 127: Allegro | Modo Antiquo, Federico Maria Sardelli | D Minor | 3 | 7A | 135 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM | ||
Concerto in C Major, H.117, Op. 7: I. Francese Presto | Francesco Geminiani, Café Zimmermann | B Major | 3 | 1B | 112 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: II. Largo | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 0 | 3A | 82 BPM | ||
Serenada à cinque, A 877a: Serenada – Adagio – Allamanda – Aria – Ciacona – Gavotte – Retirada | Heinrich Ignaz Franz von Biber, Ricercar Consort, Maude Gratton, Sophie Gent, Philippe Pierlot | B Major | 1 | 1B | 135 BPM | ||
Trio Sonata in B-Flat Major, H. 584, Wq. 158: III. Allegro | Carl Philipp Emanuel Bach, London Baroque | F♯ Major | 1 | 2B | 99 BPM |
Section: 0.5800793170928955
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