Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra's 'Tchaikovsky: Swan Lake, Op. 20, Act 1: No. 2, Waltz' came out on November 10, 2017. Since Tchaikovsky: Swan Lake, Op. 20, Act 1: No. 2, Waltz is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists, Michel Plasson's "Légendes, les musiques enchantées" album is number 25 out of 38. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Tchaikovsky: Swan Lake, Op. 20, Act 1: No. 2, Waltz is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Tchaikovsky: Swan Lake, Op. 20, Act 1: No. 2, Waltz by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Seasons - Spring in E Major, RV. 269: I. Allegro | Antonio Vivaldi, Adrian Chandler, La Serenissima | A♭ Major | 3 | 4B | 126 BPM | ||
Requiem in D Minor, K. 626: 3. Sequentia: Dies irae - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | G Minor | 4 | 6A | 72 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Giselle: Act I: Variation de Giselle | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 85 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | G Minor | 2 | 6A | 136 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" | Ludwig van Beethoven, Igor Levit | A Minor | 0 | 8A | 126 BPM |
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