Ruggero Leoncavallo, Franco Corelli, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile's 'Pagliacci: Act II: No, Pagliaccio non son' came out on September 1, 2015. The duration of Pagliacci: Act II: No, Pagliaccio non son is about 3 minutes long, at 3:11. Based on our data, "Pagliacci: Act II: No, Pagliaccio non son" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 79 in the song's album "THE COMPLETE CETRA RECORDINGS". In this album, this song's track order is #6. Based on our statistics, Pagliacci: Act II: No, Pagliaccio non son's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pagliacci: Act II: No, Pagliaccio non son by Ruggero Leoncavallo, Franco Corelli, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: "Ecco, ridente in cielo" - "Ehi, Fiorello?" - "Gente indiscreta!" | Gioachino Rossini, Luigi Alva, Renato Cesari, Barna Kováts, Theodor Guschlbauer, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | G Major | 2 | 9B | 136 BPM | ||
Notturno Op. 70 No. 1 | Giuseppe Martucci, Czecho-Slovak State Philharmonic Orchestra of Kosice, Johannes Wildner | F♯ Major | 1 | 2B | 80 BPM | ||
Pagliacci: Recitar "Vesti la Giubba" | Enrico Caruso | A♭ Minor | 1 | 1A | 72 BPM | ||
Don Giovanni: Atto Secundo, Scena 15: "Don Giovanni, a cenar teco" | Wolfgang Amadeus Mozart, Alessandro Guerzoni, Freiburger Barockorchester, Johannes Weisser, Lorenzo Regazzo, RIAS Kammerchor, René Jacobs | B♭ Major | 4 | 6B | 101 BPM | ||
De Curtis/ Arr Schifrin: Around the World Part 12: Torna a Surriento | Ernesto de Curtis, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | E♭ Minor | 3 | 2A | 80 BPM | ||
Requiem In D Minor, K.626: 1. Introitus: Requiem | Wolfgang Amadeus Mozart, Wilma Lipp, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | D Minor | 2 | 7A | 74 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | C Minor | 2 | 5A | 99 BPM | ||
The Blue Danube Waltz, Op. 314 | Johann Strauss II, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 84 BPM | ||
Scheherazade, Op. 35: Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Maria Larionoff, Seattle Symphony Orchestra, Gerard Schwarz | C Minor | 2 | 5A | 119 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM |
Section: 0.7662625312805176
End: 0.770329475402832