Tim King, Original Sin's 'Goin Back to Newport (feat. Original Sin)' came out on October 4, 2014. The duration of Goin Back to Newport (feat. Original Sin) is about 3 minutes long, at 3:16. Based on our data, "Goin Back to Newport (feat. Original Sin)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Goin Back to Newport (feat. Original Sin) and no other songs are present in the album, we classify this track as a single. On top of that, Turks and Caicos Islands appears to be the country where this track was created. The popularity of Goin Back to Newport (feat. Original Sin) is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Goin Back to Newport (feat. Original Sin) by Tim King, Original Sin to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valencia City Hymn - 2018 Choir Version | Ellen D. Estore-Selecios | G Major | 5 | 9B | 92 BPM | ||
Behold How Very Good It Is (Psalm 133a) | Crown & Covenant | D Major | 2 | 10B | 84 BPM | ||
At the Lamb's High Feast We Sing | Jacob Hintze, Durham Cathedral Choir, David Ratnanayagam, James Lancelot | F Major | 3 | 7B | 89 BPM | ||
We Come | Faith Builders Chorale, Brandon Mullet | E♭ Major | 1 | 5B | 65 BPM | ||
Saints of Zion | Jeff Lippencott, Ligonier Festival Orchestra | C Major | 3 | 8B | 128 BPM | ||
Ah, Holy Jesus | The National Lutheran Choir | G Minor | 0 | 6A | 110 BPM | ||
Healing River of the Spirit | Ruth Duck | F Major | 1 | 7B | 81 BPM | ||
Psalm 104 | Philippine Madrigal Singers, Mark Anthony Carpio, Ruben Federizon, Fr. Arnel Aquino SJ | C Minor | 2 | 5A | 117 BPM | ||
Psalm 73: Truly the Lord Our God Is Good (Vocal) | Traditional Song, Sam Arnold, Masada Musicians | D♭ Major | 2 | 3B | 134 BPM | ||
Many That Are First Shall Be Last | Lyle Stutzman, Tapestry Chamber Singers | F♯ Major | 1 | 2B | 87 BPM |
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