On October 28, 1994, the song "Bach, J.S.: 15 3-Part Inventions, BWV 787-801: No. 11 in G Minor, BWV 797 (Arr. for Chorus)" was released by Johann Sebastian Bach, The Swingle Singers. The duration of Bach, J.S.: 15 3-Part Inventions, BWV 787-801: No. 11 in G Minor, BWV 797 (Arr. for Chorus) is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Bach, J.S.: 15 3-Part Inventions, BWV 787-801: No. 11 in G Minor, BWV 797 (Arr. for Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 21 in Bach Hits Back by Johann Sebastian Bach, The Swingle Singers. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bach, J.S.: 15 3-Part Inventions, BWV 787-801: No. 11 in G Minor, BWV 797 (Arr. for Chorus) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Bach, J.S.: 15 3-Part Inventions, BWV 787-801: No. 11 in G Minor, BWV 797 (Arr. for Chorus) by Johann Sebastian Bach, The Swingle Singers is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin | A♭ Major | 0 | 4B | 59 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): I. Preludio | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 82 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Cello Concerto in B-Flat Major, RV 423: I. Allegro | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | B♭ Major | 2 | 6B | 122 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": III. Presto | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 111 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, Dan Laurin, Arte dei Suonatori | B Major | 2 | 1B | 141 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM |
Section: 0.7841925621032715
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