"Acte II : Dialogue" by Maurice Yvain, Orchestre National de la RTF, Charlotte Vaquier, Christiane Jacquin, Genio, Georges Foix, Gilbert Moryn, Jacques Pruvost, Janine Michaux, Marcelle Sansonetti, Maurice Porterat, Pierre Roy, René Smith, Willy Clement was released on February 3, 2014. Since Acte II : Dialogue is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 28 out of 43 in Au Soleil du Mexique, Yvain & Willemetz , Orchestre lyrique et Choeurs de la RTF - Jules Gressier (dir) by Maurice Yvain, Jules Gressier, Willy Clément (baryton), Orchestre Lyrique de la RTF. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Acte II : Dialogue is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Acte II : Dialogue by Maurice Yvain, Orchestre National de la RTF, Charlotte Vaquier, Christiane Jacquin, Genio, Georges Foix, Gilbert Moryn, Jacques Pruvost, Janine Michaux, Marcelle Sansonetti, Maurice Porterat, Pierre Roy, René Smith, Willy Clement is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adieu, mein kleiner Gardeoffizier - Live | André Rieu, Johann Strauss Orchestra, The Platin Tenors, Anna Majchrzak, Micaëla Oeste, Madieke Schoots, Dorona Alberti, The Golden Voices Of Gospel | F Major | 5 | 7B | 84 BPM | ||
Lincke: Frau Luna: "Schlösser, die im Monde liegen" (Marie) | Paul Lincke, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Tiempo de sus vibraciones | Padre GainsCone | F Minor | 1 | 4A | 110 BPM | ||
Good Old Days | Sinfonietta Cinematica | A Major | 4 | 11B | 111 BPM | ||
Tales From The Vienna Woods | Kathryn Grayson | D♭ Major | 1 | 3B | 63 BPM | ||
Active Beehive | Alyssa Roscoe | C Major | 1 | 8B | 96 BPM | ||
Orchestral Suite No. 2, Op. 11: I. Kevään tulo. Allegro molto e cantabile | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | F♯ Minor | 1 | 11A | 84 BPM | ||
Verdi: Rigoletto, Act 3: "La donna è mobile" (Instrumental Version, Arr. Pryce Jackman) | Giuseppe Verdi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM | ||
Schön und Schick: Ich liebe meinen Bonzo | Maurice Yvain, Irene Ambrus, Unknown Artist | E♭ Major | 4 | 5B | 118 BPM | ||
Straus: Manon: "Ich bin eine Frau, die weiß, was sie will" (Manon) | Oscar Straus, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM |
Section: 0.7239344120025635
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