Juan Crisóstomo Arriaga, Guarneri Quartet's 'String Quartet No. 2 in A: 4. Andante ma non troppo-Allegro' came out on April 5, 1996. With this song being about 5 minutes long, at 4:30, "String Quartet No. 2 in A: 4. Andante ma non troppo-Allegro" by Juan Crisóstomo Arriaga, Guarneri Quartet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 12 in Arriaga: The String Quartets by Juan Crisóstomo Arriaga, Guarneri Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. String Quartet No. 2 in A: 4. Andante ma non troppo-Allegro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No. 2 in A: 4. Andante ma non troppo-Allegro by Juan Crisóstomo Arriaga, Guarneri Quartet is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia Concertante in B-Flat Major, Hob.I:105: III. Allegro con spirito | Joseph Haydn, Andrius Puskunigis, Michael Kaulartz, Woitek Garbowski, Pirkko Langer, Heidelberg Symphony Orchestra, Thomas Fey | B♭ Major | 1 | 6B | 136 BPM | ||
Symphony in D Major, Op. 18, No. 2: I. Grave - Allegro assai | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 79 BPM | ||
Symphony No. 62 in D Major, Hob. I:62: I. Allegro | Joseph Haydn, Kammerorchester Basel, Giovanni Antonini | G Major | 3 | 9B | 78 BPM | ||
Punto: Horn Concerto No. 5 in F Major: II. Adagio | Giovanni Punto, Barry Tuckwell | F Minor | 0 | 4A | 83 BPM | ||
Postcard Greetings: No. 2. Hungarian wedding dance | Jenö Takács, Attila Szabó, Gyor Dodici Chamber Orchestra | G Major | 0 | 9B | 99 BPM | ||
Verbunkos Suite: II. Fresh Hungarian | Rezsö Kókai, Ágnes Szakály, Miskolc Symphony Orchestra, Laszlo Kovacs | G Major | 2 | 9B | 118 BPM | ||
Symphony No. 1 In C, Op. 21, Andante Cantabile Con Moto (excerpt) | The Royal Festival Orchestra, William Bowles | B♭ Major | 1 | 6B | 118 BPM | ||
Symphony in F Minor, Bryan f1: I. Allegro moderato | Johann Baptist Vanhal, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 117 BPM | ||
Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E♭ Major | 4 | 5B | 91 BPM | ||
Die Spanier in Peru, oder Rollas Tod, Act II: Ouverture | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 127 BPM |
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