"Variations on a Theme of Rossini, for Cello and Piano, H. 290: Thema. Allegro moderato - Variation 1. Poco allegro - Variation 2. Poco più allegro - Variation 3. Andante - Variation 4. Allegro" by Bohuslav Martinů, Michal Kanka, Jaromir Klepac was released on January 1, 2001. Since Variations on a Theme of Rossini, for Cello and Piano, H. 290: Thema. Allegro moderato - Variation 1. Poco allegro - Variation 2. Poco più allegro - Variation 3. Andante - Variation 4. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 20 out of 21 in Bohuslav Martinů: Small Pieces for Cello and Piano by Bohuslav Martinů, Michal Kanka, Jaromir Klepac. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Variations on a Theme of Rossini, for Cello and Piano, H. 290: Thema. Allegro moderato - Variation 1. Poco allegro - Variation 2. Poco più allegro - Variation 3. Andante - Variation 4. Allegro is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on a Theme of Rossini, for Cello and Piano, H. 290: Thema. Allegro moderato - Variation 1. Poco allegro - Variation 2. Poco più allegro - Variation 3. Andante - Variation 4. Allegro by Bohuslav Martinů, Michal Kanka, Jaromir Klepac is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart's Die Zauberflöte in E-Flat Major, WoO 46 : Variation VI. Adagio | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | E♭ Major | 0 | 5B | 119 BPM | ||
Suite in an Old Style in A minor, op.10: 1. Presto | Christian Sinding, Ryu Goto, Philharmonia Orchestra, Christopher Warren-Green | D Minor | 1 | 7A | 87 BPM | ||
The Fifth Day of the Fifth Moon, H. 318 | Bohuslav Martinů, Giorgio Koukl | F Major | 0 | 7B | 103 BPM | ||
Symphonic Dances, Op. 64: II. Allegretto grazioso | Edvard Grieg, Bergen Philharmonic Orchestra, Edward Gardner | F Minor | 1 | 4A | 73 BPM | ||
Concerto for 2 Pianos and Orchestra in D Minor, FP. 61: I. Allegro ma non troppo | Francis Poulenc, Mari Kodama, Momo Kodama, Orchestre de la Suisse Romande, Kent Nagano | D Major | 2 | 10B | 114 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | C Major | 0 | 8B | 76 BPM | ||
Cinderella: 7. Cinderella, once more sitting by the fireside | Eric Coates, BBC Philharmonic Orchestra, John Wilson | G Major | 0 | 9B | 148 BPM | ||
3 Zweistimmige Lieder, Op. 43/1: I. Wenn ich ein Vöglein wär | Robert Schumann, Barbican Quartet | N/A | N/A | N/A | 0 BPM | ||
Karelia Suite, Op. 11: II. Ballade. Tempo di Menuetto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | C Minor | 2 | 5A | 144 BPM | ||
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | C Major | 2 | 8B | 80 BPM |
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