On January 1, 1978, the song "Minstrel Jokes" was released by Emily Hall, Black Dyke Mills Band, Michael Antrobus. The duration of Minstrel Jokes is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Minstrel Jokes's duration is considered a little bit shorter than the average duration of a typical track. This song is part of World Famous Marches by Black Dyke Mills Band, Michael Antrobus, Roy Newsome. The song's track number on the album is #15 out of 21 tracks. Based on our statistics, Minstrel Jokes's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Minstrel Jokes by Emily Hall, Black Dyke Mills Band, Michael Antrobus has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Minstrel Jokes being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Songs of the Fleet, Op. 117: I. Sailing at Dawn | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | E♭ Major | 1 | 5B | 71 BPM | ||
The Girl from Corsica | Trevor Duncan, Slovak Radio Symphony Orchestra, Andrew Penny | G Minor | 1 | 6A | 68 BPM | ||
Honey Boys on Parade | US Air Force Heritage of America Band | B♭ Minor | 4 | 3A | 154 BPM | ||
Seventy Six Trombones | Gus Footwear Band | E Major | 5 | 12B | 62 BPM | ||
Scaramouche Suite: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 4 | 7B | 92 BPM | ||
Pavane in F-Sharp Minor, Op. 50 | Gabriel Fauré, Baborák Ensemble, Radek Baborak | F Major | 1 | 7B | 62 BPM | ||
Pentland Hills | The Band of Her Majesty's Royal Marines Scotland | B♭ Major | 5 | 6B | 112 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): X. In trutina (I am suspended between love and chastity) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | D Major | 0 | 10B | 145 BPM | ||
Manhattan Beach | John Philip Sousa, United States Air Force Band, Lowell Graham | B♭ Major | 3 | 6B | 124 BPM | ||
Belkis, regina di Saba, P 171: III. Danza guerresca | Ottorino Respighi, Alessandro Crudele, London Philharmonic Orchestra | D♭ Major | 2 | 3B | 130 BPM |
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