Kishore Manraja made "Damar Vagya" available on January 10, 2012. With Damar Vagya being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 51 out of 81 in Aye Halo by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Damar Vagya's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Damar Vagya by Kishore Manraja is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mera apki kripa se | Maanya Arora | F♯ Major | 5 | 2B | 110 BPM | ||
Meri Bhavna | Rupak Jain, Chetna Shukla | E♭ Minor | 4 | 2A | 132 BPM | ||
Mahakal Sarkar Mere Mahakal Sarkar | Shree Darshan, Sunny Albela | A Major | 9 | 11B | 93 BPM | ||
Hangama Hai Kiyon Barbad | Ghulam Ali | E♭ Minor | 8 | 2A | 113 BPM | ||
Hamare Sath Bholenath | Gajendra Pratap Singh | F Major | 7 | 7B | 139 BPM | ||
Ram Ko Dekh Kar Shri Janak Nandini | Prakash Gandhi | F Major | 7 | 7B | 136 BPM | ||
Ramti Aave Maadi | Vanita Patel, Mittal Rabari | A♭ Major | 9 | 4B | 116 BPM | ||
Miithe Ras Se Bharyori | Jaya Kishori ji, Chetna Sharma | F♯ Minor | 6 | 11A | 168 BPM | ||
Kanhaiya Kanhaiya Pukara Karenge | Madhavas | E♭ Major | 4 | 5B | 140 BPM | ||
Kukado Bole | Kishore Manraja | A Minor | 8 | 8A | 82 BPM |
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