"Stabat Mater, RV621: 4. Quis est homo 5. Quis non posset 6. Pro peccatis" by Antonio Vivaldi, James Bowman, Academy of Ancient Music, Christopher Hogwood was released on April 2, 2021. Stabat Mater, RV621: 4. Quis est homo 5. Quis non posset 6. Pro peccatis is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The song is number 21 out of 57 in Easter Classical by Johann Sebastian Bach, Wolfgang Amadeus Mozart, George Frideric Handel. In terms of popularity, Stabat Mater, RV621: 4. Quis est homo 5. Quis non posset 6. Pro peccatis is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat Mater, RV621: 4. Quis est homo 5. Quis non posset 6. Pro peccatis by Antonio Vivaldi, James Bowman, Academy of Ancient Music, Christopher Hogwood is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Sinfonia | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 1 | 10B | 145 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Vivaldi: Giustino, RV 717: Sinfonia, 1. Allegro | Antonio Vivaldi, Marina Comparato, Dominique Labelle, Francesca Provvisionato, Geraldine McGreevy, Leonardo de Lisi, Laura Cherici, Il Complesso Barocco, Alan Curtis | F♯ Major | 1 | 2B | 139 BPM | ||
Flute Concerto In D Major, Op. 10, No. 3, RV 428, "Il Gardellino": I. Allegro | Jiří Válek, Capella Istropolitana, Antonio Vivaldi | D Major | 2 | 10B | 115 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 2 in B Minor | Niccolò Paganini, Itzhak Perlman | B Minor | 3 | 10A | 95 BPM | ||
Partie 2 en ut mineur: Gigue | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | B Minor | 3 | 10A | 194 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major | Johannes Brahms, Tal & Groethuysen | A Major | 0 | 11B | 126 BPM |
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