Igor Stravinsky, Ralph van Raat's 'The Rite of Spring, Pt. 2 "The Sacrifice" (Arr. V. Leyetchkiss for Piano): No. 6, Sacrificial Dance' came out on January 12, 2018. With this song being about 5 minutes long, at 5:00, "The Rite of Spring, Pt. 2 "The Sacrifice" (Arr. V. Leyetchkiss for Piano): No. 6, Sacrificial Dance" by Igor Stravinsky, Ralph van Raat is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Stravinsky: The Rite of Spring (Arr. V. Leyetchkiss for Piano) - Debussy: La mer, L. 109 (Arr. L. Garban for Piano)". In this album, this song's track order is #16. Based on our statistics, The Rite of Spring, Pt. 2 "The Sacrifice" (Arr. V. Leyetchkiss for Piano): No. 6, Sacrificial Dance's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With The Rite of Spring, Pt. 2 "The Sacrifice" (Arr. V. Leyetchkiss for Piano): No. 6, Sacrificial Dance by Igor Stravinsky, Ralph van Raat having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in D Major: 3. Feierlich und gemessen, ohne zu schleppen - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | G Minor | 0 | 6A | 56 BPM | ||
String Quartet No. 2 'Intimate Pages': String Quartet No. 2 'Intimate Pages': I. Andante. Con moto. Allegro | Leoš Janáček, Jerusalem Quartet | A♭ Major | 1 | 4B | 79 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Agon: Pas de quatre | Igor Stravinsky, WDR Sinfonieorchester Köln, Michael Gielen | C Major | 0 | 8B | 137 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
Fontane di Roma (The Fountains of Rome): I. La fontana di Valle Giulia all'alba | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 0 | 8B | 70 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 4 | 4A | 78 BPM |
Section: 0.7711892127990723
End: 0.7743732929229736