Julian Bream, Domenico Cimarosa, Steve Kostelnik made "Keyboard Sonata in B Minor (arr. J. Beam): Sonata in B Major: Larghetto" available on March 26, 1999. The duration of Keyboard Sonata in B Minor (arr. J. Beam): Sonata in B Major: Larghetto is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Keyboard Sonata in B Minor (arr. J. Beam): Sonata in B Major: Larghetto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Steve Kostelnik's "Guitar Recital: Steve Kostelnik" album is number 4 out of 17. Keyboard Sonata in B Minor (arr. J. Beam): Sonata in B Major: Larghetto is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Keyboard Sonata in B Minor (arr. J. Beam): Sonata in B Major: Larghetto by Julian Bream, Domenico Cimarosa, Steve Kostelnik to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Theme varies et 12 Minuets, Op. 11: Menuet No. 1 | Fernando Sor, John Holmquist | G Major | 1 | 9B | 79 BPM | ||
5 Bagatelles: III. Alla Cubana | William Walton, Ana Vidovic | B Minor | 1 | 10A | 74 BPM | ||
Milonga | Jorge Cardoso, Gerald Garcia | D Minor | 1 | 7A | 114 BPM | ||
Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | C Minor | 0 | 5A | 143 BPM | ||
Waltz Opus 8 No. 3 | Berta Rojas | D Minor | 1 | 7A | 114 BPM | ||
Concerto for 4 Violins in G Major, TWV 40:201 (arr. B. Kanengiser, S. Tennant, A. York and J. Dearman): II. Allegro | Georg Philipp Telemann, Andrew York, Scott Tennant, John Dearman, Bill Kanengiser, Los Angeles Guitar Quartet | A Major | 1 | 11B | 62 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: Song without Words, Op. 30, No. 6, Venetian Boat Song II | Felix Mendelssohn, Gerald Garcia | D Minor | 0 | 7A | 67 BPM | ||
John Dowland: Melancholy Galliard | Julian Bream | A♭ Major | 1 | 4B | 87 BPM | ||
Angostura | Antonio Lauro, Adam Holzman | G Major | 2 | 9B | 97 BPM | ||
Canarios from Suite espanola | Gaspar Sanz, Christopher Parkening | D Major | 1 | 10B | 100 BPM |
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