"2 Preludes for Lame Sonore "Dare Voce": No. 1, Largo" by Hans Bakker, Annette Scholten was released on September 23, 2022. With this song being about 5 minutes long, at 4:38, "2 Preludes for Lame Sonore "Dare Voce": No. 1, Largo" by Hans Bakker, Annette Scholten is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 15 in Bakker: Source Ground by Hans Bakker, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, 2 Preludes for Lame Sonore "Dare Voce": No. 1, Largo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2 Preludes for Lame Sonore "Dare Voce": No. 1, Largo by Hans Bakker, Annette Scholten is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM | ||
Langsamer Satz | Anton Webern, Novus Quartet | E♭ Major | 1 | 5B | 90 BPM | ||
Hortus Conclusus | Hans Bakker, Ludmila Bubenickova, Lucie Kaucka | B♭ Minor | 0 | 3A | 86 BPM | ||
Four Pieces from a Distance: No. 4, Children of the Heavenly Father/Amen | Håkon Daniel Nystedt, Oslo Kammerkor, NyNorsk Messingkvintett, Anders Eidsten Dahl | C Major | 0 | 8B | 70 BPM | ||
Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | A Minor | 0 | 8A | 81 BPM | ||
Melody, Op. 20, No. 1 | Alexander Glazunov, Jan Vogler, Helmut Branny | D Major | 2 | 10B | 85 BPM | ||
Alchymia: III. Lachrymae | Thomas Adès, Mark Simpson, Quatuor Diotima | G Minor | 0 | 6A | 43 BPM | ||
Hedwig's Theme | Felix Klieser, Wiener Concert-Verein | C Minor | 2 | 5A | 134 BPM | ||
Standing Stone | Ed Muirhead | E Minor | 0 | 9A | 80 BPM | ||
Early Morning Melody (Transcr. Parkin for Soprano Saxophone) | Meredith Monk, Jess Gillam | G Minor | 0 | 6A | 72 BPM |
Section: 0.6014676094055176
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