Gioachino Rossini, Maria Callas, Franco Calabrese, Jolanda Gardino, Mariano Stabile, Nicola Rossi-Lemeni, Nicolai Gedda, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano's 'Rossini: Il turco in Italia, Act 1: "Ah! che il cor non n'ingannava" (Geronio, Fiorilla, Selim, Narciso, Prosdocimo, Zaida)' came out on 1955. The duration of Rossini: Il turco in Italia, Act 1: "Ah! che il cor non n'ingannava" (Geronio, Fiorilla, Selim, Narciso, Prosdocimo, Zaida) is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Rossini: Il turco in Italia, Act 1: "Ah! che il cor non n'ingannava" (Geronio, Fiorilla, Selim, Narciso, Prosdocimo, Zaida)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Rossini: Il turco in Italia (1954 - Gavazzeni) - Callas Remastered". In this album, this song's track order is #27. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Rossini: Il turco in Italia, Act 1: "Ah! che il cor non n'ingannava" (Geronio, Fiorilla, Selim, Narciso, Prosdocimo, Zaida)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rossini: Il turco in Italia, Act 1: "Ah! che il cor non n'ingannava" (Geronio, Fiorilla, Selim, Narciso, Prosdocimo, Zaida) by Gioachino Rossini, Maria Callas, Franco Calabrese, Jolanda Gardino, Mariano Stabile, Nicola Rossi-Lemeni, Nicolai Gedda, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Falstaff / Act I: "Sei polli:sei scellini" | Giuseppe Verdi, Bryn Terfel, Anthony Mee, Anatolij Kotscherga, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
Rossini: Soirées musicales: No. 8, La danza | Gioacchino Rossini, György Cziffra | A♭ Major | 5 | 4B | 145 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (a) "Rien! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Ciro in Babilonia, Act I, Scene 16: Ah mia sposa! (Ciro) | Gioacchino Rossini, Orchestra Sinfonica di Sanremo, Carlo Rizzi, Caterina Calvi | D Major | 3 | 10B | 102 BPM | ||
6 Sonate a quattro, No. 6 in D Major: II. Andante assai | Gioacchino Rossini, Haydn Philharmonia Soloists, Ezio Rojatti | B♭ Major | 2 | 6B | 85 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act I: Bimba dagli occhi pieni ci malia | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | A Major | 1 | 11B | 89 BPM | ||
La fanciulla del West: Ch'ella mi creda | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | F Major | 6 | 7B | 103 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
L'elisir d'amore, Act I: "Benedette queste carte!" | Gaetano Donizetti, Kathleen Battle, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, David Stivender, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 102 BPM | ||
6 Sonate a quattro, No. 4 in B-Flat Major: III. Allegretto | Gioacchino Rossini, Haydn Philharmonia Soloists, Ezio Rojatti | B♭ Major | 3 | 6B | 96 BPM |
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