"Instruments Of The Orchestra: Bartok: Music For Strings, Percussion And Celesta: IV. Allegro Molto" by Jeremy Siepmann was released on November 2, 2002. With this song being about 5 minutes long, at 5:06, "Instruments Of The Orchestra: Bartok: Music For Strings, Percussion And Celesta: IV. Allegro Molto" by Jeremy Siepmann is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 410 in the song's album "The Instruments Of The Orchestra". In this album, this song's track order is #63. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Instruments Of The Orchestra: Bartok: Music For Strings, Percussion And Celesta: IV. Allegro Molto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Instruments Of The Orchestra: Bartok: Music For Strings, Percussion And Celesta: IV. Allegro Molto by Jeremy Siepmann having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": III. Andante | Felix Mendelssohn, RTÉ National Symphony Orchestra, Reinhard Seifried | G Minor | 0 | 6A | 96 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Invitation to the Dance, Op. 65 (Aufforderung zum Tanze) - Orchestrated By H. Berlioz: Moderato - Allegro vivace - Vivace - Moderato | Carl Maria von Weber, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 122 BPM | ||
Piano Quintet in A Major, D. 667, Op. 114 "Trout": IV. Tema con variazioni | Franz Schubert, Emanuel Ax | G Major | 1 | 9B | 113 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
Music: Cantata No. 147 (Opening Chorus) | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | C Major | 3 | 8B | 90 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Jack Brymer, Sir Thomas Beecham, Royal Philharmonic Orchestra | C Major | 7 | 8B | 89 BPM |
Section: 0.7911562919616699
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