Amadeus Quartet made "The Seven Last Words Of Our Saviour On The Cross, Op. 51, Hob Iii:50-56: Presto E Con Tutta La Forza (ii Terremoto) In C" available on July 22, 2008. With The Seven Last Words Of Our Saviour On The Cross, Op. 51, Hob Iii:50-56: Presto E Con Tutta La Forza (ii Terremoto) In C being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Amadeus Quartet's "Hyadn; Schubert; Brahms" album is number 13 out of 73. Based on our statistics, The Seven Last Words Of Our Saviour On The Cross, Op. 51, Hob Iii:50-56: Presto E Con Tutta La Forza (ii Terremoto) In C's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of The Seven Last Words Of Our Saviour On The Cross, Op. 51, Hob Iii:50-56: Presto E Con Tutta La Forza (ii Terremoto) In C by Amadeus Quartet to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet No. 2 in G Major, Op. 111: IV. Vivace ma non troppo presto | Johannes Brahms, Cecil Aronowitz, Amadeus Quartet | F♯ Minor | 1 | 11A | 97 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
String Quartet No. 3, Op. 94: 5. Recitative & Passacaglia - Live | Benjamin Britten, Amadeus Quartet | E Minor | 1 | 9A | 70 BPM | ||
String Quartet No. 3 in E-Flat Minor, Op. 30: IV. Finale: Allegro non troppo e risoluto | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | C Minor | 2 | 5A | 121 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Notturno | Halfdan Kjerulf, G. Zanger, Kerava Quartet | C Major | 0 | 8B | 70 BPM | ||
String Quartet No. 9, D.173: 3. Menuetto. Allegro vivace | Franz Schubert, Amadeus Quartet | G Minor | 2 | 6A | 106 BPM | ||
England, Italien, | Wolfgang Amadeus Mozart, Will Quadflieg, Amadeus Quartet, Cord Garben, Walter Klien, Arthur Grumiaux | B♭ Minor | 5 | 3A | 108 BPM | ||
Lyric Pieces Book IX, Op. 68: No. 2 Grandmother's Minuet | Edvard Grieg, Emil Gilels | G Major | 0 | 9B | 99 BPM | ||
String Quartet In C Major: 1. Allegro ma non troppo | Ernest Macmillan, Amadeus Quartet | C Minor | 2 | 5A | 108 BPM |
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