"Das Lied von der Glocke - The Lay of the Bell: Der Meister kann die Form zerbrechen" by Andreas Jakob Romberg, Maria Friesenhausen, Renate Naber, Heiner hopfer, Karl Ridderbusch, Städtischer Konzertchor Duisburg, Folkwang Kammerorchester Essen, Bläser der Duisburger Sinfoniker, Guido Knüsel was released on October 6, 2023. With this song being about 5 minutes long, at 4:45, "Das Lied von der Glocke - The Lay of the Bell: Der Meister kann die Form zerbrechen" by Andreas Jakob Romberg, Maria Friesenhausen, Renate Naber, Heiner hopfer, Karl Ridderbusch, Städtischer Konzertchor Duisburg, Folkwang Kammerorchester Essen, Bläser der Duisburger Sinfoniker, Guido Knüsel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "The Lay of The Bell - Das Lied von der Glocke". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Based on our statistics, Das Lied von der Glocke - The Lay of the Bell: Der Meister kann die Form zerbrechen's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Das Lied von der Glocke - The Lay of the Bell: Der Meister kann die Form zerbrechen by Andreas Jakob Romberg, Maria Friesenhausen, Renate Naber, Heiner hopfer, Karl Ridderbusch, Städtischer Konzertchor Duisburg, Folkwang Kammerorchester Essen, Bläser der Duisburger Sinfoniker, Guido Knüsel having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goodbye | Ben Flos | B Minor | 2 | 10A | 75 BPM | ||
String Quartet in G Minor, Op. 74 No. 3 "Rider": I. Allegro | Joseph Haydn, Takács Quartet | G Minor | 2 | 6A | 146 BPM | ||
Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": II. Variation 2 - | Franz Schubert, vision string quartet | E♭ Major | 1 | 5B | 92 BPM | ||
Hommage till Lovisa Fredrica Bellman | Tomas Blank, Bellman Concerto Ensemble | C Major | 0 | 8B | 167 BPM | ||
Piano Concerto No. 7 for 3 Pianos in F Major, K. 242 "Lodron": I. Allegro | Wolfgang Amadeus Mozart, Karin Kei Nagano, Mari Kodama, Momo Kodama, Orchestre de la Suisse Romande, Kent Nagano | D Major | 2 | 10B | 114 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Ballo. Maestoso | Christoph Willibald Gluck, Münchener Bach-Orchester, Karl Richter | B♭ Major | 1 | 6B | 82 BPM | ||
Oboe Concertino in G Major, Bryan G5: II. Minuetto. Moderato | Johann Baptist Vanhal, Vojtěch Podroužek, Jan Karas, Magdaléna Kutišová, Libor Ježek, Pavla Honsová, David Matoušek, Petr Kupčák, Michael Halasz | G Major | 1 | 9B | 117 BPM | ||
String Quartet in E-Flat Major, Op. 50 No. 3: II. Andante più tosto allegretto | Joseph Haydn, London Haydn Quartet | B♭ Major | 1 | 6B | 113 BPM | ||
Prelude, opus 28 - No.7 | Frédéric Chopin, Ensemble Ferblanc | A Major | 0 | 11B | 77 BPM | ||
Gli orazi e i curiazi: Overture (1800 Paris Version) | Domenico Cimarosa, Czech Philharmonic Chamber Orchestra, Patrick Gallois | C Major | 1 | 8B | 134 BPM |
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