"Symphony No. 97 in C Major, Hob. I:97: II. Adagio ma non troppo" by Franz Joseph Haydn, London Symphony Orchestra, Sir Colin Davis was released on June 30, 2014. Since Symphony No. 97 in C Major, Hob. I:97: II. Adagio ma non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Joseph Haydn, London Symphony Orchestra, Sir Colin Davis's "Haydn: Symphonies Nos. 92, 93, & 97-99" album is number 10 out of 20. Symphony No. 97 in C Major, Hob. I:97: II. Adagio ma non troppo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 97 in C Major, Hob. I:97: II. Adagio ma non troppo by Franz Joseph Haydn, London Symphony Orchestra, Sir Colin Davis to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 in D Major, K. 155: III. Molto allegro | Eder Quartet | D Major | 1 | 10B | 153 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Martha Argerich, National Symphony Orchestra Washington, Mstislav Rostropovich | F Major | 0 | 7B | 105 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Der Fischer und das Milchmädchen: IXb. Andantino pastorale | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Sinfonia in B-Flat Major, Badley Bb1: III. Vivace | Leopold Hofmann, Northern Chamber Orchestra, Nicholas Ward | F Major | 1 | 7B | 130 BPM | ||
Sonata in D Major, Hob. XVI:37: II. Largo e sostenuto | Franz Joseph Haydn, Olivier Cavé | D Minor | 0 | 7A | 70 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Symphony No. 104 in D Major, Hob.I:104, "London": III. Menuet - Trio | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | D Major | 1 | 10B | 136 BPM | ||
Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso | Johannes Brahms, David Zinman | C Major | 2 | 8B | 121 BPM |
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